A Quote by Sam Yagan

I hated meeting people at bars when I was single because it's all about the looks and the funny line. — © Sam Yagan
I hated meeting people at bars when I was single because it's all about the looks and the funny line.
I'm not funny. People assume that because my books are funny, I'll be funny in real life. It's the inevitable disappointment of meeting me.
Just because we can shoot something that looks like a movie doesn't mean we should. Sometimes if something looks too good, it's not funny. Some things need to look good, because we think it's funny that you'd spend so much time and be so precious about such a stupid idea.
There is something about the vocal quality of the actors who can really do it. Jim Burrows, the great sitcom director who directed Will & Grace and Cheers, when an actor comes in to audition for him, he never looks at them. He just listens. Because funny is funny. You can be fooled by the eye, but if your performance is funny to the ear, it will be funny.
You feel like telling him you're not single in the way that he thinks you're single. After all, you have yourself. I think a lot of humor is about distracting yourself. Pretend you're not trying to make it funny. Because for some reason the effort to be funny smells like sulphur in our culture.
Don't ask me about Beverly Hills High School. Everybody hated it. I hated it. Hated it. Hated it. Hated it.
Some lucky people can be funny without half trying because they actually look funny, because acting funny is in their bones - fun as funny, not funny as crude slapstick.
People are not just going to bars and meeting people; they're connecting through social media.
I hated the compound, I hated the dark, dirty room, I hated the filthy bathroom, and I hated everything about it, especially the constant state of terror and fear.
We are hated because we are free. We are hated because of the idea that is the United States of America. We are hated because of our Constitution.
What I like about organizing things that way is that each story gets nearly full reign over its own space, but all of them are hung on a single string - the loosely-reined voice mentioned above. Thus the collection jogs away from suzerainty and past federation toward, I guess, alliance. Or maybe call each story a separate house on a single street? Or it's all a line of dive bars on some wharf front? What the hell, let's call reading the collection a pub crawl, but with words.
for every person who's stepped out of line and lived to regret it, there are two people who stayed in line because they got their values mixed and lost their nerve, and who have lived to regret it still more. You don't hear about those people because they're still in line where they don't show.
If you ask who I aspire to, well, if a single line of mine was as funny as P. G. Wodehouse can be, that would be great.
Why do all these people want [comedians] to be serious? The reason they want that is these are people who aren't funny. Anybody funny can be serious, but people who have no sense of humor, they can never be funny - and frankly, they're jealous. There's very few comic actors. Think about it. There aren't that many. It's hard because you have to be able to do both.
I have always hated slavery, I think, as much as any abolitionist. I have been an Old Line Whig. I have always hated it, but I have always been quiet about it until this new era of the introduction of the Nebraska Bill began.
When I was younger, I initially hated football because they put me on the offensive line because I was the biggest kid.
We went from candy bars, to handle bars, to hangin' in bars, to being behind bars
This site uses cookies to ensure you get the best experience. More info...
Got it!