A Quote by Samael Aun Weor

In order to walk the path of the edge of the penknife the patience of the Saint Job is needed. In order to walk the path of the edge of the penknife the tenacity of the well tempered steel is needed.
Life is the path you beat while you walk it It's the walking that beats the path It is not the path that makes the walk
When I began my humanitarian work, I understood that in order to gain credibility I needed patience, commitment and unwavering perseverance. I needed to ignore the skeptics.
With faith . . . we must walk to the edge of the light and into the darkness. As we so walk I testify and promise that the light will move. When I was your age and wondering some of the exact same things that you are now wondering, I never would have imagined that someday [we] would be at Ricks College serving as we are. . . . I know the light moves as we walk in faith to the edge of the light.
I was well aware of my limitations as a football player and knew that I needed every edge I could possibly get in order to compete. A big part of that was to be as precise as I could and make as few mistakes as possible because I figured that was the only way I could survive.
A path is something you create as you walk it. The ground you've trodden hardens, and that's what forms your path. You're the only one who can create your own path. Walk on your own. If you haven't given up yet, that is.
If I were a child of Tibet or of Arabia, I suspect the path I'd walk would be the Buddhist path or the Muslim path. And I don't mind saying that I don't invalidate any of those paths.
We must begin our practice by walking the narrow path of simplicity, the hinayana path, before we can walk upon the open highway of compassionate action, the mahayana path.
In order to find the edge, you must risk going over the edge.
I suppose for me, with 'Djesse,' I realized fairly early in the process that I also needed a character to walk this path, which in some ways is me, and in some ways is not me. I think of Djesse a bit like the infinite child who can see everything and walk into everything as light as a feather and just alchemize.
Peace was the one thing that Max (Ernst) needed in order to paint, and love was the one thing I needed in order to live. As neither of us gave the other what he most desired, our union was doomed to failure.
That evening I went for a walk. To walk for the sake of walking is something I seldom do. Inside my apartment I'd felt inexplicably anxious. I needed to talk to someone. to be reassured or perhaps I needed to confess my sin: I was once again having impure thoughts about saving the world. Or it was neither of these - I was afraid I was dreaming.
I wanted to do a show about a family that is absolutely black. Because as Du Bois has shown, we do have to live a double consciousness every day in the world. We have to walk our path and walk the mainstream path, and there's never really been a show that's talked about what that's like.
The conduct of schools, based upon a new order of conception, is so much more difficult than is the management of schools which walk the beaten path.
Pain, loss and separation are inevitable on the path of love, and the only way of avoiding them is by deciding not to take that path at all. In order not to suffer, you have to renounce love.It was like putting out your own eyes in order not to see the bad things in life.
When I begin a story at my desk, the window to my back, the path is not there. As I start to walk, I make the path.
I was able to walk at 5. I had to be able to walk in order to be mainstreamed into public school. And my father worked day and night to teach me how to walk. And I think what's so amazing about this is the fact that he was told that I would never walk. And he decided that he was going to try.
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