A Quote by Samantha Bond

My father Philip was an actor and appeared in everything from 'The Onedin Line' to 'Hedda Gabler' with Dame Diana Rigg. — © Samantha Bond
My father Philip was an actor and appeared in everything from 'The Onedin Line' to 'Hedda Gabler' with Dame Diana Rigg.
I am made Hand of the King which gives me an enormous amount of power, which I use quite ruthlessly - but skilfully - and Dame Diana Rigg joins us [playing political mastermind the Queen of Thorns] and we have a couple of really good sparring moments.
Most women would say they relate to 'Hedda Gabler' - there's a part of her in them. Ibsen was writing about a deep ambivalence that many women feel about domesticity. I think about myself and friends of mine - we have some of Hedda's qualities and traits.
My wide eyes make me look much younger without make-up, and although it's fun to have a line in innocence corrupted, I doubt I'll get to play the vampy vixen or a Hedda Gabler or Lady Macbeth.
There are so many huge roles in the theatre: if you've got the option to play Hedda Gabler on stage, why wouldn't you choose that over a three-line part in a Hollywood film as somebody's maid or somebody's wife or somebody's best friend?
Beauty Queen' is the weirdest, strangest, and most perfect play to do before 'Hedda Gabler', because there are so many similar issues for Maureen and Hedda. I had played leading ladies before but couldn't really hook into them. After 'An American Daughter' and 'Beauty Queen', I had all the ballast.
'Beauty Queen' is the weirdest, strangest, and most perfect play to do before 'Hedda Gabler', because there are so many similar issues for Maureen and Hedda. I had played leading ladies before but couldn't really hook into them. After 'An American Daughter' and 'Beauty Queen', I had all the ballast.
As an actor you get categorized by other people, but it's not like I arrange myself into comedy mode or serious mode. If it's good writing you just have to play it true - if it's funny, it's funny. But obviously you don't want it to be amusing if you're playing Hedda Gabler!
I haven't played Hedda Gabler yet, but maybe if I did I might find the funny bits.
What's the point of doing a brilliant Hedda Gabler in my back garden if no one will ever see it?
I remember thinking, when I was playing Hedda Gabler, that several sequences of the play were utterly absurd.
Ideally, I would like to play roles in as many classics as possible: 'Rebecca,' 'Hedda Gabler.' I'm fond of a corset.
Diana Rigg is built like a brick mausoleum with insufficient flying buttresses.
I would like to be where Diana Rigg or Judi Dench is, but I expect it is as good as it is going to get.
I know everything I need to know already," Rigg always said... To which Father always replied,"See how ignorant you are? You don't even know why you need to know the things you don't know yet." "So tell me," said Rigg. "I would but you're too ignorant to understand the reasons why your ignorance is a fatal disease.
If you're a woman doing classic theater, the big roles are often destroyers. I've played Hedda Gabler, Lady Macbeth, some of the Chekhovian heroines, Electra, Phaedra - they're all powerful women, but they're forces of negativity.
My thirties were ruined by being pregnant. I loved my babies but I had been quite successful before I had them, playing Lady Macbeth and Hedda Gabler, one of my favourite roles.
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