A Quote by Samantha Dunn
With Women, Chloe Caldwell is to Millennials what Anais Nin was to previous generations–a voice that is raw, intimate, thoughtful, compelling. Above all, heartbreakingly real.
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I'm restless. Things are calling me away. My hair is being pulled by the stars again. ANAÏS NIN, Fire: From "A Journal of Love" The Unexpurgated Diary of Anaïs Nin, 1934-1938 For me, the adventures of the mind, each inflection of thought, each movement, nuance, growth, discovery, is a source of exhilaration.
I suppose in our contemporary lives, our cumulative e-mails might constitute a kind of diary: that informal, moment-by-moment description of life as it goes by. . As I think of those notes now - what I wrote, what I said - it seems to me they danced across the surface just as my grandmother's diaries did - Anais Nin she wasn't, and I wasn't, either. Who is? Not even Anais Nin.
We write to taste life twice," Anais Nin wrote, "in the moment and in retrospection.
The greatest feminists have also been the greatest lovers. I'm thinking not only of Mary Wollstonecraft and her daughter Mary Shelley, but of Anais Nin, Edna St. Vincent Millay, and of course Sappho. You cannot divide creative juices from human juices. And as long as juicy women are equated with bad women, we will err on the side of being bad.
At a lecture I am asked to pronounce my name three times. I try to be slow and emphatic, "Anaïs - Anaïs - Anaïs. You just say "Anna" and then add "ees," with the accent on the "ees."
I actually use women's perfume - I have since I was a kid. It's called Anais Anais, from Rachael. It smells like a beautiful woman and a bouquet of flowers. I use that and Right Guard deodorant.
I knew Anais Nin, who called me after I had been away for a few years. She was seeking help because at that time no one would give her a decent review. She was made fun of.
Love never dies a natural death. It dies because we don't know how to replenish its source. It dies of blindness and errors and betrayals. It dies of illness and wounds; it dies of weariness, of witherings, of tarnishings. Anaïs Nin I like not only to be loved, but also to be told I am loved. George Eliot Love is the voice under all silences, the hope which has no opposite in fear; the strength so strong mere force is feebleness: the truth more first than sun, more last than star.
Millennials are more aware of society's many challenges than previous generations and less willing to accept maximizing shareholder value as a sufficient goal for their work. They are looking for a broader social purpose and want to work somewhere that has such a purpose.
Is there a secret? Yes. Anaïs Nin and Pauline Réage and Anne Rampling and Erica Jong all knew it. E. L. James knows it. It is the secret behind all of our writing. And our reading. Arousal starts in the mind. And grows in the mind. The brain is the most erogenous zone in a woman’s body. That is our secret. And it is what we share.
Anais Nin shows an occasional grace in writing, but her work is quite foreign to me, precisely because she wants so much to be feminine and not feminist. And then she is so gaga before so many men. She talks about men I know in France, men who were less than nothing, and she considers them kings, extraordinary people.
There is no war on women. Women are doing well. But women are thoughtful. And what we in the Republican Party and across the country, Republican, Independents and Democrat women say is we're more thoughtful than a label. We care about jobs and the economy and healthcare and education. We care about a lot of different things.
That's sad. How plastic and artificial life has become. It gets harder and harder to find something...real." Nin interlocked his fingers, and stretched out his arms. "Real love, real friends, real body parts...
You never in a million years thought that you would ever end up in a Woody Allen film even though that might be your dream, and there you are. Suddenly you've got one. But you're not playing the quintessential Woody Allen heroine, which is somebody that's full of self-doubt and heartbreakingly naïve. Chloe in Match Point was a nightmare in some ways and totally entitled, and felt like everything was going to be all right. Most of the women in Woody Allen films feel like everything's awful. I didn't understand what to do. But some of the confusion is helpful.
People change, mature, and develop their values, attitudes, and preferences as a function of age. It is actually a strategy deployed by many organizations. The idea is that once Millennials grow up -get a mortgage, family- they will start acting like us and sharing our values. Personally, I would not make that bet. Even if it were to happen, Millennials are putting off seven or more years what other generations have done. Waiting for Millennials to "grow up" is risky when it comes to knowledge transfer, talent development, and competitive advantage.
The biographies of the great men see their excesses as signs of their greatness. But Jean Rhys, in her biography, is read as borderline; Anaïs Nin is borderline; Djuna is borderline; etc. etc. Borderline personality disorder being an overwhelmingly gendered diagnosis. I write in Heroines: “The charges of borderline personality disorder are the same charges against girls writing literature, I realize - too emotional, too impulsive, no boundaries."
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