A Quote by Samantha Harvey
When we fall in love, we feel that this person is ours and we are theirs by our mutual volition, and we know they could leave - we know that because they are free, and their freedom is part of the thrill.
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You don't fall in love because you fall in love; you fall in love because of the need, desperate, to fall in love. when you feel that need, you have to watch your step: like having drunk a philter, the kind that makes you fall in love with the first thing you meet. It could be a duck-billed platypus.
There is much to be done, there is much that can be done... One person of integrity, can make a difference, a difference of life and death. As long as one dissident is in prison, our freedom will not be true. As long as one child is hungry, our lives will be filled with anguish and shame. What all these victims need above all is to know that they are not alone; that we are not forgetting them, that when their voices are stifled we shall lend them ours, that while their freedom depends on ours, the quality of our freedom depends on theirs.
Yes, our greatness as a nation has depended on individual initiative, on a belief in the free market. But it has also depended on our sense of mutual regard for each other, of mutual responsibility. The idea that everybody has a stake in the country, that we're all in it together and everybody's got a shot at opportunity. Americans know this. We know that government can't solve all our problems - and we don't want it to. But we also know that there are some things we can't do on our own. We know that there are some things we do better together.
No one dislikes LL Cool J. If you meet LL Cool J, you fall in love with LL Cool J. LL and I had mutual friends, and he and I had always talked about doing something. My fans know LL's music. And I love him - we're blood brothers at this point. We've been through the fire together. I know no finer person.
You fall in love with someone, you don't know this person yet, and you get to know this person. That's what happens when I fall in love with a character, and I want to be this person.
Those who created this country chose freedom. With all of its dangers. And do you know the riskiest part of that choice they made? They actually believed that we could be trusted to make up our own minds in the whirl of differing ideas. That we could be trusted to remain free, even when there were very, very seductive voices - taking advantage of our freedom of speech - who were trying to turn this country into the kind of place where the government could tell you what you can and cannot do.
We know what works: freedom works. We know what's right: freedom is right. We know how to secure a more and just and prosperous life for man on earth: through free markets, free speech, free elections and the exercise of free will unhampered by the state.
Freedom and love go together. Love is not a reaction. If I love you because you love me, that is mere trade, a thing to be bought in the market; it is not love. To love is not to ask anything in return, not even to feel that you are giving something- and it is only such love that can know freedom.
Have you ever felt a potential love for someone? Like, you don't actually love them and you know you don't, but you know you could. You realise that you could easily fall in love with them. It's almost like the bud of a flower, ready to blossom but it's just not quite there yet. And you like them a lot, you really do. You think about them often, but you don't love them. You could, though. You know you could.
I know my girlfriend is free-spirited. I know she's so charming that it's disarming. I get it. And I know that every man is going to fall in love with her.
When you get the ideas, that's a thrill; when you're writing the book and it's corning out well, that's a thrill; when you finish it and other people read it, that's a thrill. There are going to be reviews, of course; not everyone's going to love it. You feel sort of naked and vulnerable in a way. That's just a minor part of the process, really. If you can't take that part, you shouldn't be in the business. But there are so many joys to writing.
There's material that I read that I fall in love with, and I always get a little bit sad because I know that, when I fall in love with it, almost everyone else is falling in love with that same piece. Getting the crack at doing that thing that, in my soul, I know I have to do it, that's the role.
I didn't feel ready to leave home, because it went from no freedom to all freedom. And I was like, 'Oh, my God, I don't know what I'm doing in college.' There seemed to be no like-minded people where I was... I didn't have a clan. I didn't have a choir... There was no safety net.
He made the boxes because he was lonely. He didn't have anyone to love, and he made the boxes so he could love them, and so people would know that he existed, and because birds are free and the boxes are hiding places for the birds so they will feel safe, and he wanted to be free and be safe. The boxes are for him so he can be a bird.
The Bible tells us to love our neighbors as ourselves. Surely part of loving in this way is trying to understand what another person wants us to understand. I may not understand perfectly and I may not agree, but if I love you I should try to know what it is you wish I could know.
I could stifle my voice, or strip it. I know that I could, because we can do anything we put our minds to. I know that I could, but it feels very unnatural for me to strip my prose like that, in part because place is so important to me.
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