A Quote by Samantha Hunt

There's definitely a voice and I always speak my work aloud. I have a lot of old people in my head, most of them dead now, but I always hear how they would say things, my grandparents and my neighbors.
A lot of the writers I've known for 20 years, who used to say, 'Maybe they're right - the novel is dead!' - well, now they don't feel that it's necessarily the biggest job or most sacred calling on the planet. But it's definitely a real thing - it's always been here, always will be here, and one might just as well buckle down and get to work.
You know I'm 27, but I've been traveling since I was 16, 17 years old. You see a lot of things, you hear a lot of things, and it definitely matures you a lot faster than it would other people. I think in that case it's definitely made me a stronger person.
I guess the negative thing that happens to me is that I'm old now. They said there was a generation I was too young for and now some will say there's probably 10 generations I'm too old for. They'll say, isn't he dead or retired or whatever? Or it just becomes fashionable to say "Oh he's not funny anymore," which, I don't know, maybe to them I'm not. I'm more likely to hear that now than I am to hear that I'm unacceptably risqué.
All my life, people have made fun of the way I speak. I guess because a lot of my vocabulary is made up of things that other people say. I started making fun of them and imitating them and now that's how I speak.
I've always had a problem with the things that people would say out of their mouths to other people. I've always had a problem with that, because a lot of people, they don't have enough information to speak to people a certain way or speak about people a certain way.
You said, 'I love you.' Why is it that the most unoriginal thing we can say to one another is still the thing we long to hear? 'I love you' is always a quotation. You did not say it first and neither did I, yet when you say it and when I say it we speak like savages who have found three words and worship them. I did worship them but now I am alone on a rock hewn out of my own body.
I always surprise myself with my voice. A lot of people don't get it, and they're like, 'You can't sing. Stop. What are you doing?' And it's funny to hear a lot people say I sing in falsetto because it's not falsetto - that's my voice.
A sermon is a valuable thing now and so impressive when you do hear a good one - and there is a lot of failure in the attempt; it's a difficult form - is because it's so seldom true now that you hear people speak under circumstances where they assume they are obliged to speak seriously and in good faith, and the people who hear them are assumed to be listening seriously and in good faith.
I grew up with four brothers, and in the back of my head I feel pretty masculine. It's always funny when I hear recordings of my voice, because it's so deep when I hear it in my head.
What I know is that my upbringing was always the man was the head of the family. It's a European tradition. We always look up to the man. But this is old times. Now what I believe is that I'm definitely equal.
Be undeniably good. When people ask me how do you make it in show business or whatever, what I always tell them & nobody ever takes note of it 'cause it's not the answer they wanted to hear-what they want to hear is here's how you get an agent, here's how you write a script, here's how you do this-but I always say, “Be so good they can't ignore you.” If somebody's thinking, “How can I be really good?” people are going to come to you. It's much easier doing it that way than going to cocktail parties.
I always say to young people when they ask me how I work, I always say to them, the only time you've ever going to do something good is if you have a good client. And by good I mean all kinds of things.
When you're not doing fiction, there's a limit to how much illustrating you can do with your work. I mean, you can do fine. There are great non-fiction writers, but people aren't necessarily going to say anything that reveals them as much as a picture might. Even their surroundings, in lot of cases, the things that meant the most to me were the things I noticed in their houses. I was always looking, as much as I was listening to them. I was looking around for clues as to why I was there.
One of the things I noticed about the Trump supporters was a lot of projected fear. I can't tell you how many times a conversation went like this: "We've got to stop these immigrants, because it's terrible." I'd say, "Okay, what personally have you observed about this?" And there would be basically nothing in that box. And I'd say, "Where'd you get your information?" thinking they were going to say Fox. But they would always say, "Well, I get my information from all kinds of sources." Fox is kind of center-left to a lot of people now.
I learned early on that one of the secrets of campus leadership was the simplest thing of all: speak to people coming down the sidewalk before they speak to you. I would always look ahead and speak to the person coming toward me. If I knew them I would call them by name, but even if I didn't I would still speak to them.
It's always been a dream of mine to do a voice for a Disney movie. I think Disney movies and theater are very closely related. That would be amazing. I don't know about doing a Broadway musical, just because I don't really know how people do it. You just work all the time. That's something that I would definitely have to work up to.
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