A Quote by Samantha Hunt
Much of the writing I do about the female body is to remind women, myself included, that they make life and they make death. That strikes me as a far more powerful stance than the weak lies told about mothering.
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Love is the most powerful thing of all and I remember thinking that - God, I'm about to make myself cry but, I remember thinking that when 9/11 happened because those last phone calls were about - the last thing knowingly, that I'm going to say on this earth is "I love you". What's more powerful than that? What's more proof than that? Beyond fear, beyond death.
I feel that the thing about film and particularly about TV, actually, is it's being created now. We're living in the best time so far because there are many more women writing and women directing, women producing, and people are finally catching on to the fact that women want to go and buy tickets to see female characters and more than one in a film. So I actually think it's a very fertile time to be a woman over 40.
I definitely know that-that love is the most powerful thing of all and I remember thinking that-God, I'm about to make myself cry but, I remember thinking that when 9/11 happened because those last phone calls were about-the last thing knowingly, that I'm going to say on this earth is 'I love you.' What's more powerful than that? What's more proof than that? Beyond fear, beyond death.
We should think more about it, and accustom ourselves to the thought of death. We can't allow the fear of death to creep up on us unexpectedly. We have to make the fear familiar, and one way is to write about it. I don't think writing and thinking about death is characteristic only of old men. I think that if people began thinking about death sooner, they'd make fewer foolish mistakes.
Sometimes I remind myself of all the things that make me feel so blessed. And then I remind myself to remind myself more often.
It's not so much about powerful women. In some cases, there are stereotypes about women. I often don't hear men talked about in the same way. It's more a sexist stereotype than a powerful stereotype.
We need more female directors, we also need men to step up and identify with female characters and stories about women. We don't want to create a ghetto where women have to do movies about women. To assume stories about women need to be told by a woman isn't necessarily true, just as stories about men don't need a male director.
Making promises to myself, in my personal writing practice, has been important to me all my life. In practical application it is so much easier for me to make promises to others, and keep them, than it is to make promises to myself. "Why is that?" and the answer I gave myself is that in making promises to others I create a model of accountability and reinforcement. I duplicate that in my writing and have grown increasingly better at making and keeping promises to myself.
Some people think I am an issue-oriented writer, but I've never said to myself, I'm gong to write about such-and-such an issue - that would make for incredibly boring writing, at least to my taste. Creating someone I don't know and her made-up world shows us more about who we are - is actually a better mirror - than if I were to parade in front of you an instantly recognizable person in an instantly recognizable situation. I'm not saying, Let's make it all abstract and weird and difficult and thereby you will know more about yourself. My process is much more organic than that.
I love writing about men. To get by in the world you have to know how men think. Not that all guys think alike, but women tend to think about more things at the same time, an overgeneralization, but I find it easier to make my male characters focus than I do my female characters.
Yesterday he told me he thought I would have to pretend to be weak, but he was wrong. I am weak already. I brace myself against the wall and press my forehead to my hands. It’s difficult to take deep breaths, so I take short, shallow ones. I can’t let this happen. They attacked me to make me feel weak. I can pretend they succeeded to protect myself, but I can’t let it become true.
Writing fantasy lets me imagine a great deal more than, say, writing about alligators, and lets me write about places more distant than Florida, but I can tell you things about Florida and alligators, let you make the connection all on your own.
Everybody wears an unseen sign that reads: Inspire me. Remind me that my life matters; call me to be my best self; appeal to whatever in me is most noble and honorable. Don't let me go down the path of least resistance. Challenge me to make my life about something more than the acquisition of money or success
I absolutely adore and idolise women. All women. I think they are all amazing. The female musicians I've met have been far more inspiring than the male ones. Women tend to be much more creative and ambitious. I think I may have been a woman in a past life.
I don't think about the gender thing very much. But when I speak at schools, I've had female students say to me afterwards, "I never envisioned myself being a director, since I've never seen women do it." But after seeing me, they can picture themselves directing, so maybe we'll see more female directors.
My work is not so overtly about movement. My horses' gestures are really quite quiet, because real horses move so much better than I could pretend to make things move. For the pieces I make, the gesture is really more within the body, it's like an internalized gesture, which is more about the content, the state of mind or of being at a given instant. And so it's more like a painting...the gesture and the movement is all pretty much contained within the body.
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