A Quote by Samantha Morton
I respond very well to well-written material and women who have had an effect on society, something tragic or monumental has happened to them.
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I use improvisation as a writing tool to help produce material that goes into a script, but a well-crafted script shouldn't sound scripted, and oftentimes people confuse something that looks like improvisation for what is actually a very well-written script that is well-acted.
When I came up as a United States Attorney, I had no real support group. I didn't prepare myself well in 1986, and there was an organized effort to caricature me as someone I wasn't. True. It was very painful. I didn't know how to respond and didn't respond very well.
When the material written is very good then half of your work is done by the writer itself. When there's a well-defined character written, then the attempt is to be as honest to the material as possible.
You have to be kind of alerted to the fact that clowns are scary and then you can't look at them the same way again. There's something very sinister about them... There's something very tragic about them as well. The last thing they are is funny.
Venus has a runaway greenhouse effect. I kind of want to know what happened there because we're twirling knobs here on Earth without knowing the consequences of it. Mars once had running water. It's bone dry today. Something bad happened there as well.
You know that something is really well written when you have to think so little about the words that are coming out of your mouth and you're able to dwell in your own headspace to get there. It's very easy to recall and remember because it's written so well.
Suggestibility is a very loose term. You may not be the sort of person who responds well to a hypnotist on stage, but you might find, for example, that a doctor administering a placebo to you is something you respond well to.
I tried once in my life to write a novel. I had written something like 80 pages of it when my laptop got stolen. When I told people this, they acted as if something tragic had happened, but I kind of felt relieved, grateful to the thief who saved me from another year of something that felt more like homework than fun.
The wealth of the well-to-do of an industrial society is both the cause and effect of the masses' well-being.
Any role that is well-written, exciting and something that I am comfortable with interests me whether it's comic or tragic. It could be in a film, play or TV.
I had the fortune to evolve at a time when fashion was very important, and women dressed themselves very well. A woman who dressed very well also had a husband who would have beautiful collections of art and decorative objects.
If you string together a set of speeches expressive of character, and well finished in point and diction and thought, you will not produce the essential tragic effect nearly so well as with a play which, however deficient in these respects, yet has a plot and artistically constructed incidents.
Well, I didn't read My Day by Eleanor Roosevelt very carefully. I was away during a lot of that, in the war and so on. She was not all that good a writer. She was a little bit on the banal side, and you know, what happened, and then this happened, and then that happened... But I will say this. She got very well paid for it.
I've always had great satisfaction out of writing the plays. I've not always had great satisfaction out of seeing them produced-although often I've had satisfaction there. When things go well in production, on opening there's no nicer feeling in the world-what could be nicer than watching an audience respond? You can't that from a book. It's a fine feeling to walk into the theater and see living people respond to something you've done.
When something tragic has happened, you can try to move on and put something tragic behind you, but it rarely works. It's in you when something like that happens. It's physically a part of your life.
I respond to powerful women. I'm not intimidated by that, I like that, it's not something I shy away from, so I don't want women who are looking for me to take care of them. To me, that's a turn-off. I respond to strong, powerful, independent women.
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