A Quote by Samantha Power
I tell young people: If you make a job choice on the basis of something other than your nose or your gut, it's unlikely to work out.... It's perilous to look ahead and be like, "I'd like to be ambassador." I would never have gone to Bosnia or spent years writing about genocide. Do it on the basis of what you can learn.... It's like falling in love. Your whole dating life, you're thinking, On the one hand, on the other hand. Then you meet the right guy, and you're not in list-making mode; you're just with the person you're supposed to be with. Jobs are like that too.
Quote Topics
About
Ambassador
Basis
Bosnia
Choice
Dating
Falling
Falling In Love
Genocide
Gone
Gut
Guy
Hand
Job
Jobs
Just
Learn
Life
Like
List
Look
Love
Make
Making
Meet
Mode
Never
Nose
Other
Out
People
Perilous
Person
Right
Right Guy
Something
Spent
Supposed
Supposed To Be
Tell
Than
Then
Thinking
Too
Unlikely
Whole
Work
Work Out
Would
Writing
Years
Young
Young People
Your
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Related Quotes
I'd be interested in finding out if there is a light you walk into, and if you do meet people from your life and walk hand in hand with Jesus. I would hate for my death to be tragic: I'd like to be old when it happens. But hopefully a young death is unlikely.
I've never seen a tornado and I've lived in Oklahoma City basically my whole life. It's not like we're infested with them on a continual basis. But you learn to live with the warnings. And you learn what to do if one is coming your way. And then you cross your fingers and make the best judgments you can.
The weird thing about having your birthday on a school day is that by the time you get to be ten, or eleven for sure, no one at school knows it's your birthday anymore. It's not like when you're little and your mom brings cupcakes for the whole class. But even though no one knows, you walk around like it's supposed to be a national holiday. You walk around thinking that people are supposed to be nice to you, like maybe on your birthday you're ten times more breakable than on any other day. Well, it doesn't work that way. It just doesn't.
We don't have great answers to what jobs will look like in 10, 20, 30 years. And I think it's right for people to have some anxiety in a world where driverless cars are going to take over. Like, how are you going - it's gotten really, how are you going to have a job in 10 years, and how are your kids going to have a job in 10 years, if you haven't gone to college or had a lot of hand-ups in the system, basically.
In the whole of your absurd past you discover so much that's absurd, so much deceit and credulity, that it might be a good idea to stop being young this minute, to wait for youth to break away from you and pass you by, to watch it going away, receding in the distance, to see all its vanity, run your hand through the empty space it has left behind, take a last look at it, and then start moving, make sure your youth has really gone, and then calmly, all by yourself, cross to the other side of Time to see what people and things really look like.
An actor is supposed to emulate life. Instead, alas, many are imitating other actors. You don't fashion your knowledge of theatre or your approach to a role on the basis of what other actors have done. This kind of thinking is a great danger, especially in dealing with TV producers who frequently say things like, 'This is a Sean Connery type.'
Forget your ideas about art. Make a shopping list of everything you like about what you've done. Include qualities that you've seen in your life, in the world, and possibly in art that you like. Take this list and make a work that satisfies all of the things on your list without caring if it looks like art.
You know how every now and then, you have a moment where your whole life stretches out ahead of you like a forked road, and even as you choose one gritty path you've got your eyes on the other the whole time, certain that you're making a mistake.
Raise your hand if you’ve spent nights crying yourself to sleep, raise your hand if you’ve felt as if you’d rather hide in bed all day than face the people that make you feel small or powerless! Raise your hand if you’ve felt as if you’d rather lie to people than tell them the truth about who you really are, because at least you wouldn’t be the victim of hateful behavior or prejudice! And raise your hand if lying feels almost as bad.
There are the jobs you get that do something for your confidence, like "I can do this with my life" kind of thing. And then, there are the jobs that maybe bring a certain level of awareness about you as an actor where other people feel like they can hire you.
There are the jobs you get that do something for your confidence, like, 'I can do this with my life' kind of thing. And then, there are the jobs that maybe bring a certain level of awareness about you as an actor, where other people feel like they can hire you.
There's always someone out there telling you your nose is too big or too small, or you're too fat or too thin, or they don't like your hair. In life, there's always going to be someone who doesn't like something about you, so you have to focus on what makes you happy about yourself. You're the only person you need to please.
Tell me some true things about fighting.''Tell me you love me.''I love you,' the girl said. 'You can publish it in the Gazzettino if you like. I love your hard, flat body and your strange eyes that frighten me when they become wicked. I love your hand and all your other wounded places.
The two of you, there's something uncanny about the way you two are with each other. I mean everything--the way you look at each other, the way she relaxes when you put your hand on her back, the way you both seem to know what the other is always thinking, it's always struck me as extraordinary. That's another reason I keep putting marriage off. I know I want something like what you two share, and I'm not sure I've found it yet. I'm not sure I ever will. And with love like that, they say anything's possible, right?
The only way you can write the truth is to assume that what you set down will never be read. Not by any other person, and not even by yourself at some later date. Otherwise you begin excusing yourself. You must see the writing as emerging like a long scroll of ink from the index finger of your right hand; you must see your left hand erasing it.
Writing and working with producers is like dating - it sounds strange to say that, but you have to test people out. You have to be like: 1) I like your music. 2) I like you, you're a good person. 3) Let's hang out and see if we can work together. And that is where music comes from.
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