A Quote by Samantha Shannon
I was mostly an indoor girl at university. Where other students did drama or music or sport alongside their degrees, I wrote. I used to work on essays and classwork during the day and 'The Bone Season' in the evenings.
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A university is a place where ancient tradition thrives alongside the most revolutionary ideas. Perhaps as no other institution, a university is simultaneously committed to the day before yesterday and the day after tomorrow.
I was at Sussex University studying English lit and philosophy, I had two essays due in and three seminars that day, and at the same time I was messaging my manager because I'd just started to put together the pieces of like, 'Wow. I really don't want to be doing any essays anymore. Why don't I just give this music thing a go?'
I went to university in the north of England at University of Birmingham to do an English literature degree, and I knew I could do extracurricular stuff with theater and drama. I started a theater company, called Article 19, and I did it with a bunch of friends. I wrote and directed plays. I had a radio show.
During my senior year, when I was attending the University of Michigan and getting a drama degree, the Purple Rose Theatre was in its second season. The year before was the company's inaugural season. I, of course, wanted to work there. It was started by a really prominent local actor, Jeff Daniels.
I'm a privileged person, I feel privileged because of who I am. I write books, I write novels, I write essays and I teach and I go from university to university. I'm one of the old, but I still go around, but I only see those who are not like that, I don't see the junk youth. I only meet students, and even those who are not formally at the university, if they come to listen to me, they come to read me, it means they are not junk students.
I grew up in Nagpur, and I first started enjoying the author Harishankar Parsai. He wrote mostly satire, essays on the current situation and social issues. He wrote many books and I think he was my first influence.
Pre-season isn't just about conditioning but also getting used to each other as a team and a group of men. You spend more time with these people than you do your own family. Pre-season is the time we get used to each other and work out how people work. It can be a lot of fun. Hard but fun.
The day Guy Clark passed away was the day we wrote 'Girl Goin' Nowhere.' It was the first day I had met Jeremy Bussey, who I wrote the song with.
I wanted to train more for the outdoor season than the indoor season, so I changed my training totally.
Sport strips away personality, letting the white bone of character shine through. Sport gives players an opportunity to know and test themselves. The great difference between sport and art is that sport, like a sonnet, forces beauty within its own system. Art, on the other hand, cyclically destroys boundaries and breaks free.
Mostly I sit at home in the evenings watching the box and hoping that one day I'll evolve into plankton.
At university level, I had an economics lecturer who used to joke that I was the only student who handed in essays on British Airways notepaper.
Being shortlisted for the Swansea University International Dylan Thomas Prize is, of course, a real honour for me and my work. When I wrote 'Conversations with Friends,' it was hard for me to imagine the book even finding readers - so it's a huge privilege to find it judged alongside such exciting and innovative new writing. I'm very grateful.
I switched from indoor to beach I had been playing indoor for 12 years. And, to be honest, to make a living indoors you have to go overseas. I am such a family girl and just wanted to be home, so that didn't appeal to me.
At the point when I switched from indoor to beach I had been playing indoor for 12 years. And, to be honest, to make a living indoors you have to go overseas. I am such a family girl and just wanted to be home, so that didn't appeal to me. Misty May was looking for a partner, I was looking to stay at home, and the beach just came calling. And mostly I stuck with it because I loved the challenge of it, but also just the autonomy of it. It's two on two, just you and your partner, you're not one of the herd. And the lifestyle is unbeatable.
I always wrote as a vehicle for expression but did not try writing for publication until my mid-thirties, at which time I started writing for magazines. I wrote essays and then short stories, then moved into novels.
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