A Quote by Samantha Shannon
I fell even more deeply in love with Tolkien's legendarium after studying Old English literature at uni, as I got a sense of the historical events and cultures that Tolkien used to create his world. My favourite of his imaginary locations is Lothlorien.
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I fell even more deeply in love with Tolkiens legendarium after studying Old English literature at uni, as I got a sense of the historical events and cultures that Tolkien used to create his world. My favourite of his imaginary locations is Lothlorien.
I think the tendency to over-explain and over describe is one of the most common failings in fantasy. It's an unfortunate piece of Tolkien's legacy. Don't get me wrong, Tolkien was a great worldbuilder, but he got a little caught up describing his world at times, at the expense of the overall story.
The Tolkien estate owns the writings of Professor Tolkien. 'The Hobbit' and 'The Lord of the Rings' were sold by Professor Tolkien in the late '60s, the film rights.
I read all of the books by Tolkien, including 'The Hobbit,' when I was in my twenties, and his deep love of nature and all things green resonates deeply with me.
Wizards was my homage to Tolkien in the American idiom. I had read Tolkien, understood Tolkien, and wanted to do a sort of fantasy for American kids, and that was Wizards.
I grew up reading Tolkien, and I love him. But I love him in the way that you love that rambly old grandfather. You have to sit through some pretty off-topic stuff before he starts telling his cool old war stories.
Contemporary fantasists all bow politely to Lord Tennyson and Papa Tolkien, then step around them to go back to the original texts for inspiration--and there are a lot of those texts. We have King Arthur and his gang in English; we've got Siegfried and Brunhild in German; Charlemagne and Roland in French; El Cid in Spanish; Sigurd the Volsung in Icelandic; and assorted 'myghtiest Knights on lyfe' in a half-dozen other cultures. Without shame, we pillage medieval romance for all we're worth.
Most fantasy is incredibly derivative of Tolkien, so when you read a lot of fantasy, it's really just elves and gnomes, and it all goes back to Tolkien.
I'd have described myself as a Tolkien reader before this, but now I'd describe myself as a Tolkien geek.
People sort of accuse Tolkien of not being good with female characters, and I think that Eowyn actually proves that to be wrong to some degree. Eowyn is actually a strong female character, and she's a surprisingly modern character, considering who Tolkien actually was sort of a stuffy English professor in the 1930s and '40s.
I'm the first to admit that I can't be as good as Tolkien, and a movie can never be as good as Tolkien.
I love fantasy. I grew up reading fantasy. But, I wanted to put a somewhat different spin on it. The whole trope of absolute good versus absolute evil, which was wonderful in the hands of J.R. Tolkien, became cliche and rote in the hands of the many Tolkien imitators that followed.
I know that part of the reason I read Tolkien when I'm ill is that there is an almost total absence of sexuality in his world, which is restful.
The historical sense compels a man to write not merely with his own generation in his bones, but with a feeling that the whole of literature from Homer and within it the whole of the literature of his own country has a simultaneous existence and composes a simultaneous order.
Even in a personal sense, after all, art is an intensified life. By art one is more deeply satisfied and more rapidly used up. It engraves on the countenance of its servant the traces of imaginary and intellectual adventures, and even if he has outwardly existed in cloistral tranquility, it leads in the long term to overfastidiousness, over-refinement, nervous fatigue and overstimulation, such as can seldom result from a life of the most extravagant passions and pleasures.
This might disappoint you somewhat, but I have to say my interest in Tolkien has faded dramatically over the years. His language skills are amazing, his story good and fascinating, but... he has a very Judeo-Christian perspective, and his use of mythical creatures is very... ignorant.
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