A Quote by Samara Weaving

I really respect versatile actors, so I'd really like to throw myself in the deep end. — © Samara Weaving
I really respect versatile actors, so I'd really like to throw myself in the deep end.
I like to scare myself and throw myself off the deep end.
The actors I respect are the real character actors, who are the real chameleon actors that completely change from role to role. I love Peter Sellers, Alec Guinness and Gary Oldman. They tend to be British, I guess. People who really disappear and transform, I really like that.
I have a deep respect for life in general; just a huge, deep respect for life. And I have definitely grasped onto the fact that every minute, every moment, to be grateful and thankful for. Because we really don't know what's two seconds away. We really don't. It's so unpredictable.
I have a sense of respect: respect for my suppliers, respect for the staff, respect for the customer - as long as they respect us. When we have a customer who is playing a provocative, disrespectful game, then we just prefer to just throw him out, rather than deal with it. Some people, sometimes, are unhappy themselves. And that can really create a frustrating performance to us and to the staff and all that. I don't throw customers out as much as I used to. In the old days, "You don't like it? Get out!" I'm much nicer now.
I’d really love to be a versatile, chameleon-like actress, stretching myself a bit.
I'd really love to be a versatile, chameleon-like actress, stretching myself a bit.
When you throw punches at actors, you stop, you pull it, and it looks like you pulled it. When you throw punches at cartoon characters, they are not there, so you can swing through. It looks like you really decked them.
Working with [Kyle Chandler] in the scene was like playing tennis. You work with really talented actors, I think they make other actors look really, really good.
I like to be alone, I mean, I really love to be alone more than anything else, and I don't really like to talk about myself to death, and I don't like to share too much, and I don't really have dreams of extreme fame or even extreme respect.
I didn't want to be taken advantage of and burnt out in the industry. I worked with my family really closely, so I was able to get that respect in the industry. So now I feel that I can let my guard down. People know who I am; I can be myself. I can be more versatile, and I can wear what I want.
[There is] type [of actors ]a true thespian who doesn't give a flying rat's ass what it is as long as it's deep, powerful, and painful, and they will dive in headfirst. I really respect those people. Meryl Streep is amazing at it.
I really pride myself on trying to be versatile.
When I was 17, I studied at RADA in London for the summer. I wanted to live abroad and to pursue drama, so it seemed like the perfect opportunity. I thought I may as well throw myself in at the deep end. My first big role is in 'Starlet.'
I've been really lucky in terms of film projects with people, terrific actors and also writers and directors that I really respect.
Mostly I work really unconsciously, and I think if the scenes are really well written, which they are, and if I just throw myself into it, I don't really think about it.
I really like to hear actors talk about acting, but I don't really like hearing myself talk.
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