A Quote by Sameer Gadhia

Me and my bandmates grew up with the internet music scene. So we're well versed in how to interact with the online fan base. Obviously MySpace several years back was the main mode of transportation. I found out about so many great bands through the Myspace band of the week feature, it was my goal to be on there. But it's changed a lot. We have a couple social media people helping us out, but for the most part we always oversee our Twitter. We look at a lot of our Facebook stuff. We try and keep in touch with as many people as possible.
I consider us to be one of the first Internet-based bands, especially because we basically started our entire band via the Internet. Before MySpace Music even existed, we had a band MySpace page. We were one of the first fifty bands on PureVolume(.com), and we really built everything from the Internet. That's how we started talking to record labels, that's how we booked our first tours. Without the Internet social networking, like Twitter, we definitely wouldn't be where we are today. It is a huge part of the band.
We do a lot of things that kind of annoy people and our fan base. We try not to get overloaded on it. For us, that means we don't do social media stuff - we have an Avenged Sevenfold social media, but none of the band members have Facebooks or any sort of Twitter.
I have always had stuff on the Internet. Way back in the Myspace days, I had a lot of friends on Myspace. And it is just all about, like, networking - contacting people and showing people, like, your mind.
I have always had stuff on the internet, way back in the Myspace days, I had a lot of friends on Myspace. And it is just all about like networking - contacting people and showing people, like, your mind.
During MySpace's run-up, journalists continually got their facts wrong about MySpace. They wrote story after story about how Facebook was bigger than MySpace when in truth Facebook wasn't even 1/10th the size of MySpace.
Honestly, I hate Facebook - it has nothing on Myspace. I loved how weird and crappy and wild and trashy it was. Then there was the whole culture of pimping out your Myspace page. I remember spending 10 hours one day learning how to make our Myspace page look more like a message board from the mid-90s.
The most annoying thing I found was all the people pretending to be me on MySpace and Facebook. I'm not a member of either, but apparently there is an 'official' Nikki Sanderson MySpace page, complete with rants about how terrible identity fraud is, which is ironic.
In the beginning I remember when I would spend three hours a day on MySpace just trying to comment everyone back, and now, I spend a half hour a night on MySpace just putting up new stuff and answering people back and monitoring all the fan sites, and saying hi and thank you. I'm still way on top of it. I haven't grown out of it because it'll always be something that helped launch my career, and I'm going to keep maintaining it.
I truly believe that what we're seeing with online dating is very similar to what happened with the Myspace-Facebook era, where Myspace was once this place for online connecting for a very select group of young people. And then Facebook kind of hit at this moment where it was acceptable for everybody to do it.
Yes, anyone can log onto your "anonymous" band's MySpace page and hear the music. So, in theory you have gotten your music in front of 5 billion people. The other thing is that something has to cause them to go to those bands MySpace page, and it's that reliance on taste makers or radio, that is still very much a part of how music is sold and marketed.
There's a vast ecosystem for music outside of Myspace and Facebook and you need to make sure that your music is in as many hands as possible. I wanted people to share my music and tell friends about me, and if you want to rely on word of mouth, you have to make it easy for people. I got lucky because I had a few songs that hit big and got a lot of links on blog posts.
I'm on Twitter, Facebook. There's a lot you can do with it, and it's great to keep in touch. I try to throw a few things out on Twitter every day.
Social media has been an incredible tool to connect to my fan base, and collaborate with people around the world. Some of my biggest breaks have come through people hearing my music on the Internet and then contacting me through social media.
I think all of us set out to try and reach as many people. That's the whole point of being in a band: trying to get your music out there. So, any opportunity to do that, within reason. We're informed about where our music is going to be used; we get to say yes or no. There are things we can turn down, and there are things we can agree to. When it comes to movies and stuff like that, it's great for us. I don't think it's selling out. Maybe 10 or 20 years ago it was seen as selling out, but nowadays I think it's the only way to get your music out there.
I update my MySpace every day, I update my Facebook fan page, but that's about the extent of it. I don't want to get into extended conversations with people on MySpace, because there are friends I have extended conversations with every day. I'm on the phone every day. There's like five people I just call and yak with every single day. And that to me is my Internet. You can replace the Internet with five really smart friends.
Facebook and Twitter have changed how people follow ski racing. In past Olympics, you couldn't stay in touch with the fan base that followed you during the Olympics. They thought they had to wait four years to reconnect.
This site uses cookies to ensure you get the best experience. More info...
Got it!