A Quote by Sameera Reddy

Working with Gautham Menon is like working with a friend. He says the scene once and I do it once and he okays it. He is very quick. — © Sameera Reddy
Working with Gautham Menon is like working with a friend. He says the scene once and I do it once and he okays it. He is very quick.
I have no problems working in other banners. I had worked in Puri Jagannadh's banner for 'Heart Attack' and 'Courier Boy Kalyan' is in Gautham Menon's banner. But after 12 flops, I thought it would be better to have my own team.
I don't like improvising on camera, particularly, but very often, a scene will not be working, and you rehearse it once or twice, and you realize something's missing. So I'll play with it until it makes sense.
Once I get on something, once I have something that I'm working on, then I become very obsessive. In a good way. I mean,... is there a positive way to say obsessive? It's a good thing and if you're out there and you're working on something right now and you're crazed and you're up in the middle of the night, or you can't stop thinking about it, or you have to keep reading other things about the subject that you're working on or whatever. That's good and I think that's necessary creatively.
I don't really like to write at a desk. I like to write when driving in a car. ... Once you're working on it, you're working on it all the time, and sometimes stuff'll come in the middle of the night, in a dream or something. Your mind is working on it all the time.
I love working that way, and that's sort of the way that Mark, Jay, and I have been working for years, where we start with scripts that are really solid and well-written. But once we get into the scene and we start doing the work, we definitely loosen things up.
When I was working on The Wire with the other actors, scene after scene after scene, I felt like we were singing together. We were dancing together. I'm like, "This is the best ensemble I've ever worked with. I'm working with these cats? Holy mackerel, this is heaven."
Once I started working as an assistant director, I just realized very quickly that working on a film set was just a perfect fit for me.
I'd dream of assisting Gautham Menon after watching 'Kaakha Kaakha.'
I like working in theatre now and I think that once you've done a certain amount of films most actors love working in the theatre because of the camaraderie.
Once upon a time, it was the Democrats who claimed to be the party of the working man. No longer. They abandoned the working guy. They slammed the door in their face, and now, it's President Trump and the new Republican Party that is supporting working Americans, blue-collar workers.
I usually have more than one thing I'm working on at once - I've been working on three different novels. When I get stuck on one, I hop back and forth.
Once I got over my initial butterflies, being in the same room and doing a scene with Jimmy Caan was great. I never backed down for one second against him. I loved it. I love those moments. Working with people like that is the greatest joy you can get as an actor.
I love working with Prada, I would do it all the time if I could. Working with them is like working on a film: it is very collaborative.
I actually quite like working with kids and I like working with animals, which is what everybody says you shouldn't do, because it makes you feel like you're not acting.
Once we actually have the production script after many rewrites, at that point is when I start to decide what the look and colors will be. I work like a painter, even though I'm working in three dimensions. I'm working with chairs. I'm working with walls. But even things like the floor or the walls that people might think are not important, they actually do influence the visual look of the film. These are also things that I have to think about.
I love doing film soundtracks and working with directors on how they want the scene to be portrayed on audio as opposed to visual. I like the collaborative effort of working with people.
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