A Quote by Sameera Reddy
I am happy being a bombshell, the image has worked for me.
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I tried to surround myself with people who have accepted me for being me. And I want to create that image to my fans as well. And that's the advice I give to them. To be happy for who you are, and to surround yourself with people who are happy for being you.
And yet I am happy. Yes, happy. I swear. I swear that I am happy...What does it matter that I am a bit cheap, a bit foul, and that no one appreciates all the remarkable things about me-my fantasy, my erudition, my literary gift...I am happy that I can gaze at myself, for any man is absorbing-yes, really absorbing! ... I am happy-yes, happy!
My being subsists only from a supreme point of view which is precisely incompatible with my point of view. The perspective in which I fade away for my eyes restores me as a complete image for the unreal eye to which I deny all images. A complete image with reference to a world devoid of image which imagines me in the absence of any imaginable figure. The being of a nonbeing of which I am the infinitely small negation which it instigates as its profound harmony. In the night shall I become the universe?
I know I'm bitter and a little jaded, and mildly enjoy it, but am I a sad person? Am I happy? I plan on being happy in the future for sure, but it isn't here yet. So what does that make me, exactly?
I love it when people call me a bombshell. While many women in the industry aspire to be sexy, I am naturally so.
In fact, I am so happy to be turning 40 and finally having a reason to take responsibility for my own behavior. It's also worked for me in terms of my physical appearance and emotional make-up and people entrusting me to bring the things a role deserves. I don't know whether that's depth or being a curmudgeon or what.
I don't think I have an image of being an underground musician. I have an image of being an uncompromising musician, and I am well known in Norway partly because of that.
Anyone who has been with me from the beginning has worked from the trenches with me and they've worked really hard. People that I have brought in where I am now, they haven't worked the way that we have, they haven't lost the sleep, and you know, the blood, sweat, and tears.
I am happy with all the films I've done. I have not become the victim of an image. I have managed to do different roles, and I am proud of that.
If you're doing what you love, then that's what matters. I am happy, and I am happy where I am. If things go downhill, then I move on to the next, and that's what makes me happy.
There is no need to change my image. I like my image, and the audience likes it, too. I am very comfortable with the kind of roles I do, and as I am not doing the same character or playing myself. I explore my characters; I don't brood over my broody image.
I haven't deliberately set out to play the blonde bombshell in my movies. In fact, it's probably been quite the opposite. After the success of The Mask, I wasn't offered all that many blonde bombshell parts, to be honest. I think people believed from the beginning that I could actually walk and talk at the same time.
In my later years I have looked in the mirror each day and found a happy person staring back. Occasionally I wonder why I can be so happy. The answer is that every day of my life I've worked only for myself and for the joy that comes from writing and creating. The image in my mirror is not optimistic, but the result of optimal behavior.
In my later years, I have looked in the mirror each day and found a happy person staring back. Occasionally I wonder why I can be so happy. The answer is that every day of my life I've worked only for myself and for the joy that comes from writing and creating. The image in my mirror is not optimistic, but the result of optimal behavior.
I am not chocolate and definitely not a boy. I am a man, and I have no clue how this image has stuck to me despite all these years. I think, maybe, in spite of trying to shell off my chocolate boy image, love stories excite me, and somehow I land up in such roles.
I know perfectly well that only in happy instants am I lucky enough to lose myself in my work. The painter-poet feels that his true immutable essence comes from that invisible realm that offers him an image of reality....I feel that I do not exist in time, but that time exists in me. I can also realize that it is not given to me to solve the mystery of art in an absolute fashion. Nonetheless, I am almost brought to believe that I am about to get my hands on the divine.
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