A Quote by Sami Gayle

Im obsessed with those old romance films. I also would love to venture into the silent film world. I think thats extremely compelling and interesting and really relies on the acting, even more so than when you have an actor speaking.
I'm obsessed with those old romance films. I also would love to venture into the silent film world. I think that's extremely compelling and interesting and really relies on the acting, even more so than when you have an actor speaking.
When I was twelve, the passage from silent film to the talkies had an impact on me-I still watch silent films. I don't think that there is any such thing as an old film; you don't say, 'I read an old book by Flaubert,' or 'I saw an old play by Moliere.'
These types of films that are psychologically sort of dark at times, I find extremely exciting to do because there's always something to think about. There's nothing more boring than to show up on set and say a line and know that your character means exactly what they say. It's interesting to have an unreliable narrator in a film and that's what both of those films have been.
I'd like to get into the superhero genre. I'd love to do either a DC or a Marvel character. I just love the way they're approaching these characters in these films. I also would love to get back into some romantic films. I love romance films, especially between people of color, because we don't really explore that enough. I would love to do that.
All in all, I'd like to venture into film. Films are my staple diet, so I would love to be part of a feature film, independent film... it all just depends on the story and the people behind it, really.
I want to venture into film more, and I think that a nice way to transition into doing that would be a documentary. I think it would be interesting to find one person that really fascinated me or maybe a band and travel with them, but I don't think I could do it like I used to do it.
I intend more of a kinship with silent films than more modern film. I like the old cinema. My films are more of a hybrid - a different style of filmmaking to what I call talking head movies. Some people don't get it. Especially the more academic types.
You know, Longmire and all those other great (whodunit) series, I would love to one of those. We just haven't found the right one...I really am, I think, an old soul, I think, in the acting world. I'm very comfortable in the fifty, sixties era. I love it.
The silent film has a lot of meanings. The first part of the film is comic. It represents the burlesque feel of those silent films. But I think that the second part of the film is full of tenderness and emotion.
More than my other films, Uncle Boonmee is very much about cinema, that's also why it's personal. If you care to look, each reel of the film has a different style - acting style, lighting style, or cinematic references - but most of them reflect movies. I think that when you make a film about recollection and death, you have to consider that cinema is also dying - at least this kind of old cinema that nobody makes anymore.
I'm happy in a silent world - well, not a silent world but one that relies on - I'm in a pretty physical actor I suppose anyway, and I just don't - I don't struggle that idea of emotional expression just because there aren't words to explain yourself.
I'm a fan of classic romance films as well as screwball comedies. I think love stories are just compelling narratives.
More than anything, acting was more like a confidence thing. I love words - I love English - but I don't have a hugely academic brain, so I enjoyed it because it was a bit of a respite. I don't think I really had a sense I would actually be a musician or an actor; I just wanted to be around that.
British acting is undoubtedly based in text, and American acting relies more on behavior. That's speaking very generally.
In an old model, the way a film would imprint itself on the public's consciousness is to get a theatrical run. But now there are more documentaries and more films in general being released than ever before. There are weeks when the New York Times is reviewing 15 films, so it's harder to leave an impression on the public. A lot of these films are seeing their financial future on digital platforms. Because viewers aren't hearing as much about films in theatrical release, I think the festival circuit is going to have increasing importance for the life of a film.
I feel even old people can do a nice love story, but here we don't make that kind of films. In the West, such films are being made and they make a nice romance, which is more like compassion.
This site uses cookies to ensure you get the best experience. More info...
Got it!