A Quote by Samir Nasri
Marseille would be the only place that I'd like to play in France, but I think it's not realistic.
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The Captains of Industry have always counseled the rest of us "to be realistic." Let us, therefore, be realistic. Is it realistic to assume that the present economy would be just fine if only it would stop poisoning the air and water, or if only it would stop soil erosion, or if only it would stop degrading watersheds and forest ecosystems, or if only it would stop seducing children, or if only it would stop buying politicians, or if only it would give women and favored minorities an equitable share of the loot?
I think Marseille is probably a place like Liverpool, very vibrant and very tough.
I just think it would be unrealistic to suggest we're going to eliminate every last domestic insurgent in Afghanistan. Certainly, the history of the country would indicate that's not a very realistic objective, and I think we have to have realistic objectives.
I was following Marseille and looking up to my compatriot playing there, Didier Drogba, and my team was Marseille.
I'm opposed to wearing headscarves in public places. That's not France. There's something I just don't understand: the people who come to France, why would they want to change France, to live in France the same way they lived back home?
At home in the states, I think there's a tendency in the states to go for the latest, greatest thing. The latest, greatest is the latest greatest. I think when you're talking about France, England, things like that, they look for the history of an artist and they go back when it comes to music like this anyway. They will go back a little bit further. I think the United States is very knowledgeable and it's a good place to play.
France has a special position: We are Continental Europe's nuclear power and a permanent member of the UN Security Council. This special role, though, only makes sense if France fills it as a member state of the European Union. France cannot play this role alone, it must be seen as a part of Europe. I have always insisted on that.
It was only after I made my Duleep Trophy debut did I think I had a realistic chance to play for India. I scored a double hundred, and I realised that I had the potential to play for my country because I played the best bowlers in the country at that time.
Everything is on such a clear financial basis in France. It is the simplest country to live in. No one makes things complicated by becoming your friend for any obscure reason. If you want people to like you you have only to spend a little money. I spent a little money and the waiter liked me. He appreciated my valuable qualities. He would be glad to see me, and would want me at his table. It would be a sincere liking because it would have a sound basis. I was back in France.
When you're dealing with a symbol in a realistic play, it is also a realistic fact. You must expect the audience's mind to work on both levels, symbolically and realistically. But we're trained so much in pure, realistic theater that it's difficult for us to handle things on two levels at the same time.
I played for four different clubs in France; I played for Marseille, which is one of the biggest clubs.
I think my movies aren't sentimental. I think my movies are funny and sad and realistic. Not realistic in the sense that they're documentaries, but realistic in the sense that they're not idealistic, they're not optimistic, not pessimistic, and not propagandistic. They're an analysis of a situation. I call it as I see it, so to speak.
I live in New York now, and miss France quite a bit. Of course, the reality of living in a small village in the south of France was very different than the fantasy I had of living in France. Over the years I spent there, that fantasy was worn away and I found a more realistic version of France than the one I began with. I wouldn't say the spell ever goes away, but transforms. Now that I understand French culture more intimately, and speak fluent French, I have a different, more solid, relationship to the country.
Realism should only be the means of expression of religious genius... or, at the other extreme, the artistic expressions of monkeys which are quite satisfied with mere imitation. In fact, art is never realistic though sometimes it is tempted to be. To be really realistic a description would have to be endless.
Power is the main difference; it's more powerful in England. Referees are less strict than in France, teams like to play low and in counter-attack, and defenders in general are stronger than in France.
I'm trying to write poems that involve beginning at a known place, and ending up at a slightly different place. I'm trying to take a little journey from one place to another, and it's usually from a realistic place, to a place in the imagination.
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