A Quote by Samira Wiley
There's a play that Chekhov wrote called 'Uncle Vanya,' and I when I was in school, I played Sonya, and sometimes people ask me if there was ever a role I could play again, that's definitely the role I would play again: Sonya in 'Uncle Vanya.'
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You have the upper class Negroes who are the modern day Uncle Toms or the 20th century Uncle Toms. They don't wear a handkerchief anymore. They wear top hats. They're called Doctor, they're called - Reverend, but they're still - they play the same role today that Uncle Tom played on the plantation.
Fine-tuning a play like 'Uncle Vanya,' which is already well-known to the people playing it, is not so much a verbal exercise as it is a visceral one.
We cannot reform the world.... Uncle Sugar is as dangerous a role for us to play as Uncle Shylock.
Well...what did you promise exactly? Not to tell anyone that Eric Dragomir had a mistress and baby?" Sonya nodded. "And not to tell who they were?" Sonya nodded again. Sydney gave Sonya the warmest, friendliest smile i'd ever seen on the Alchemist. "Did you promise not to tell anyone where they are?" Sonya nodded, and Sydney's smile faltered a little. Then her eyes lit up. "Did you promise not to LEAD anyone to where they are?
I always thought Uncle Vanya could be a stoned masterpiece.
I find it very strange when people say that they are trying to solve 'Uncle Vanya' or find a solution for 'Henry V.' Plays aren't puzzles. They are about playing. But so much theatre has become about performing and acting rather than playing, which is a great pity because audiences are captivated by watching people play.
Some of my favourite characters have been people like Masha in 'Three Sisters' and Elena in 'Uncle Vanya.'
LSD is no longer playing a bad role in the drug scene and psychiatrists are again trying to submit their proposals for research with this substance to the health authorities. I hope that LSD will again become available in the normal way, for the medical profession. Then it could play the role it really should, a beneficial role.
It was an audition process after Breakfast Club, and I wasn't really sure I wanted to do the movie. There was a bigger role that Rob [Lowe] was already set to play, so the role they wanted me to audition for was Alec. [Director] Joel Schumacher... this is back in the days when you could trick me with things like this. He goes, "Don't you think you can play it?" And I go, "Okaaaaay." So then I did it for all the wrong reasons but I don't think I would fall for that again. Who knows. I might.
I never ever played the lead role in a play, except at school. I guess the industry that we're in, boys that look like me don't get the lead role.
I feel very fortunate for audiences to have been so gracious as to allow me to do pretty much any role that I felt I could do. They let me play a president. They let me play a lawyer. They let me play a hit man. They let me play a father. They let me play Howard Saint.
People make their life really hard. It was as simple as this: My parents went to church. My grandfather was a bishop. My mom sang in the choir, my dad played the keyboard, and my uncle played the drums. I was into playing the drums, so I played the drums a lot for my uncle, and it got to the point where I was pretty nice at playing the drums. And he let me play every Sunday so, to me, going to church was fun.
It would be nice to not have to prove myself, and for people to know that I'm good and can play a role. Whatever role that is that lets people know that I can play the next role is what I want to do.
It would be nice to not have to prove myself and for people to know that I'm good and can play a role. Whatever role that is that lets people know that I can play the next role is what I want to do.
My first school play was 'Perkin and the Pastry Cook' that my primary school put on, and I played a boy, and it was so much fun, and I'd love to play a boy again. I think that would be great.
I think it goes without saying that young would-be playwrights in developmental workshops should be so lucky as to write plays as good as 'Waiting for Godot,' 'Uncle Vanya' or 'King Lear,' none of which would have existed without a decent plot.
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