A Quote by Samira Wiley
Poussey is a really huge part of 'Orange,' and I'm sure her name will always echo through the halls of Litchfield, dead or alive.
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I'd never played a character as long as I played Poussey. Spending time with her, so much time embodying that character, it was so - and still is and always will be - so special to me and a part of who I am.
You will always go into that tent. You will see her scar and wonder where she got it. You will always be amazed at how one woman can have so much black hair. You will always fall in love, and it will always be like having your throat cut, just that fast. You will always run away with her. You will always lose her. You will always be a fool. You will always be dead, in a city of ice, snow falling into your ear. You have already done all of this and will do it again.
It is a splendid thing to think that the woman you really love will never grow old to you. Through the wrinkles of time, through the mask of years, if you really love her, you will always see the face you love and won. And a woman who really loves a man does not see that he grows old; he is not decrepit to her; she always sees the same gallant gentleman who won her hand and heart.
My name is Sabastian. I had a father, but he is dead. I had a mother, but she is dead to me. I have a brother, and I will Bind him to me. I have a sister, and I will teach her to love me. My name is Sabastain, and I am going to burn down the world
I had come to feel that my mother's love for me was designed solely to make me into an echo of her; and I didn't know why, but I felt that I would rather be dead than become just an echo of someone.
I am one in a row of specimens. It's when I try to flutter out of line that he hates me. I'm meant to be dead, pinned, always the same, always beautiful. He knows that part of my beauty is being alive. but it's the dead me he wants. He wants me living-but-dead.
The only person I knew how to be with now was myself - but I wasn´t really anyone, and I wasn´t really alive. I was just someone who pretended to be alive, a dead mean who spent his days translating a dead man´s book.
It is an error to divide people into the living and the dead: there are people who are dead-alive, and people who are alive-alive. The dead-alive also write, walk, speak, act. But they make no mistakes; only machines make no mistakes, and they produce only dead things. The alive-alive are constantly in error, in search, in questions, in torment.
You attend the funeral, you bid the dead farewell. You grieve. Then you continue with your life. And at times the fact of her absence will hit you like a blow to the chest, and you will weep. But this will happen less and less as time goes on. She is dead. You are alive. So live.
The body is never more alive than when it is dead; but it is alive in its units, and dead in its totality; alive as a congeries, dead as an organism.
Remember Old Nan's stories, Bran. Remember the way she told them, the sound of her voice. So long as you do that, part of her will always be alive in you.
Annabeth's voice caught on the word friend. Percy was a lot more than that. Even boyfriend really didn't cover it. They'd been through so much together, at this point Percy was part of her--a sometimes annoying part, sure, but definitely a part she could not live without.
Improv is such a huge part of my background, and a huge part of character discovery is really being inside the character and trying to think through them without the limitations of the script.
Well, she's so alive, Julia Child. And Margaret is so - is so designed. She's so intent upon making her point. That's the most important thing, is that she win the argument, and there is nothing that stands in the way of that train, you know. But Julia's just alive in front of you. That's part of why people loved her. They lived it with her. They breathed it with her. And the mistakes were all part of it.
I know my name gets used illegally all the time all over the internet. You know, it is a trademarked name, so it will be something that we always have to deal with. I never needed to change it. It was always fine with me. It is a strange name; that's for sure.
When my daughter went to school, her last name was mine. The school insisted that her father's name be added to hers, not her mother's. The fact that the mother kept her in her womb for nine months is forgotten. Women don't have an identity. She has her father's name today and will have her husband's tomorrow.
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