A Quote by Samira Wiley

I'm not a writer; I'm an actor. My job is to take whatever character I'm given and - especially because I have the responsibility of being a black actress, and I know young black girls are looking up, and everyone's looking to what's on television - to just try to give whatever character I'm playing as three-dimensional a portrayal as I can.
This is a corny actor thing to say, but the first step is that you can't judge the character that you're playing. If it's built in three-dimensional fashion, you'll just play a character who's going out and seeking the best version of their life that they can find. That gives the character an accessibility that everyone can identify with.
Whatever character you play, whatever film it is, whatever story it is, for me, in my training it's always something that gives you a layered character, it's understanding the secret of that character, and so whatever comes up as "Oh, I thought that person was that," you are always carrying that within you. So actually what you're playing all the way through is both and it's just what comes out in the scene or the circumstance.
An actor's only perception is of their character, and they're looking at one piece. A writer is looking at the entire story. They're going to see things that the writer didn't see because they're only looking through their lens.
The truth of the matter is, I am a black woman, and I am an actor. I don't try to get caught up in being a black actor; I'm just an actor who is a black woman. It's not about forgetting that you're black, but you don't need to be hammered over the head, either; it just is what it is.
You want to be able to really tackle a character and make it a fully-dimensional human being who is complicated, funny, and all the things that a person could be. If you can achieve that, you feel great. You so rarely get to do that as an actress in general, but as a black actress, it's almost never.
When you're a Black actress, the box that we often get put in is so small. And me being a dark-skinned Black actress, the opportunities become so limited in a way that is just wrong. It's not fair. I'm so capable of playing a wide variety of roles. It comes down to whether or not I'm given the opportunity to do it.
I think every time you take a female character, a black character, a Hispanic character, a gay character, and make that the point of the character, you are minimalizing the character.
Any movie you see, if Tom Cruise is in an action movie or whatever it is, The Avengers, there's going to be a kick-ass female character. Usually one. And there's a term for this, but I don't know what it is. But someone's coined a term where there's one female character who's incredibly tough and strong and just as good as the guys at whatever it is they’re doing, and usually wearing black, skin-tight clothes, and [she] has no personality whatsoever, and is not funny.
There's a long history and a pattern of Black athletes - and Black people, period - being told to shut up and accept whatever it is they're given.
A black character is much more than just a black character; he's a character, period. So show the world as it is. Even with all your artistic license, you make a political choice.
I've been lucky that even when I was younger, just because of my look or whatever, I was afforded the opportunity or called on to try. 'Can you do this Hispanic character?' 'Can you do this Italian character?' 'Can you do this Jewish-American character?' I just had to develop a facility for their accents.
At some point along the way, I stopped being a writer, and I became a black writer. I never used to be a black writer. I used to write 'Spider-Man,' 'Green Lantern,' whatever was lying around. 'Thor,' 'Hulk,' whatever. Now, if the phone rings or when the phone rings, it's almost exclusively some project that has something to do with my ethnicity.
You don't know anybody is in the stands when you are out there on the field playing. You don't know what the number is or who, what, or whatever. You are playing and trying to give your best. When you are in the game you got so much going on in your head and your so attentive in listening to the quarterback call whatever shots he's going to call. Your mind is concentrated on your responsibility and what you have to do on every given play. You don't know anything else is around, but your responsibility.
My job as an actor is to serve the script. If I'm looking at it as to see what the best character is, then it's not really looking at the big picture.
It's always baffled me why BET looks the way it does. This is Black Entertainment Television. Why are we up there, then, looking like idiots? It's because black people are marketing black people like that.
The only thing that I know how to do as an actor, as a trained actor, is you can't villainize the character you're playing. Whether it's a fictional character or a real character. Because then you operate from that sort of negative point of view, and you can't humanize him.
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