A Quote by Sammy Cahn

Do you think I'm wandering around all day thinking, 'I must write a song called 'Three Coins In The Fountain'?' Only an idiot would do that. — © Sammy Cahn
Do you think I'm wandering around all day thinking, 'I must write a song called 'Three Coins In The Fountain'?' Only an idiot would do that.
It's strange, somebody asked for my autograph the other day. Because I finished school and I'm not really doing anything at the moment, I was just kind of aimlessly wandering around London and these two guys who were about 30 came up and asked for my autograph. I was really quite proud at the time, and they wanted to take photos and stuff. And then they were sort of wandering around and I was kind of wandering around and I bumped into them about three times, and every single time their respect for me kept growing and growing and growing.
Laughter is an important part of a good relationship. It's an immense achievement when you can move from your thinking that your partner is merely an idiot to thinking that they are that wonderfully complex thing called a loveable idiot. And often that means having a little bit of a sense of humour about their flaws.
I think we have a great deal of mythology around writing. We believe that only a few people can really do it. I wrote a book called 'The Right to Write.' In it, I argued that all of us have the capacity to write. That it's as normal to write as it is to speak.
I used to think that if I was ever so lucky as to get a book deal that I would write all the time. All day, every day. I'd write three books a year. The truth, though, is that writing all day isn't really feasible. I could do it, but I'd be folding in on a lot of other aspects of my life, things I care about. And I wouldn't be happy.
If you write a country song, and it's the best song you've ever written but throw it out because you're a metal band, you'd be an idiot.
I think we have to assume we have one life. Though, having said that, I did write a song called 'You Only Live Twice.' I'll settle for that.
Write every day. Don't kill yourself. I think a lot of people think, 'I have to write a chapter a day' and they can't. They fall behind and stop doing it. But if you just write even one hundred words a day, it's not that much. By the end of a month, you'll have three thousand words, which is one chapter.
I was carrying my friend in his casket to put him in the hearse, and I was thinking, 'I need to write a song for this guy, because he always told me I would have a No. 1 song.'
On past records I usually did start with a story or an idea for a song and then write around it, but on Achilles' Heel I would just start writing and try to let the song and my sub-conscience determine the direction. which is a goofy way of saying I tried not to decide before hand what the song and or the characters would do and be like.
My first song was called 'Portrait.' It would just be poetry, and I really never understood how to write the structure of writing a song. I just knew the feeling, and I knew it was supposed to break and change at the same part, so that's how I write music.
I just start singing some words with a tune. I don't ever write a song thinking, Now I'll write a song about... .
If you can't think of what to write, tough luck; write anyway. If you can think of lots more when you've finished the three pages, don't write it; it'll be that much easier to get going next day.
I see teenagers or people who are 21 and think, 'I was an idiot at that age.' I was running around New York like a crazy woman. Thank God I only had three and a half cents to my name. I was too immature to handle success then.
I write everything with fountain pens. I don't know why. I've done it since I was bar mitzvahed. I was given a fountain pen, a Parker fountain pen, and I loved it, and I've never liked writing anything with pencils or ball-points.
I have a song called "Men." I mean, manhood and trying to be one, and failing as one, and trying to be a husband and a father, and failing at that. I love failure. It's stuff that I'm thinking about all the time in my life, so it would make sense to me anyway to write about it.
The best thing we've learned is when you are attempting to write a full song, write a full song that day. When we first started, we would have great ideas, but there's something about a moment and a vibe that's being created in time that when you return to it, it sometimes works, and it sometimes doesn't.
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