A Quote by Sammy Hagar

It took me a long time to put it to use in things, but the name of my publishing company is Nine Music, and "Red" became my theme song. — © Sammy Hagar
It took me a long time to put it to use in things, but the name of my publishing company is Nine Music, and "Red" became my theme song.
I think music is just a wonderful ingredient that helps us understand a scene better. And certainly you can overuse music, and you can use the wrong music. I probably have been guilty of these things over time. But if you use music correctly as a friend of the theme, a friend of the narrative, ou can lend some terrific connective tissue to a film.
Once upon a time, a long time ago, a man took off his jacket and put on a sweater. Then he took off his shoes and put on a pair of sneakers. His name was Fred Rogers.
I would love to do a Bond song, and I could have done a Bond song: I was offered a Bond theme, but I turned it down because I didn't like the song. But as it turned out, I was right anyway because the song was the only Bond theme that never became a hit, so I'm glad I wasn't associated with that!
Generally I still believe that Lewis [Hamilton] is the best champion that we have had in a long, long time. He manages to get to all different walks of life: red carpet, fashion business, and music - you name it.
If you have a song that you think sounds like another song you should contact the publishing company and say I have a song here, let's cut a deal that lets everyone walk away feeling good.
When I did red, it was nine, and that was it for me. I said, "Here I am - nine is my number and red is my color, and I'm in business now."
I don't like my birthday. I don't like things that are directed towards me. It took me a long time to get over people asking me to write my name in the book.
As I became George professionally and everyone called me George, Yog became the name that people who knew me from before started to use. It became more valuable to me.
'Unbreakable Smile' was based off one of the songs I wrote for the album - it was actually the first song I wrote for the album without realizing it yet. I think I wanted to name the album that because it seemed like that was just the theme of that chapter in my life and just the theme of all the songs put together.
One of the songs we recorded for 'The Long Run' was called 'You're Really High, Aren't You?' Which never really made it onto a record, but later on, it became 'Heavy Metal.' I took that track that wasn't used, and when I was invited to write a song for that movie, I took that track and recorded that song for that movie.
I wrote 'Turn Your Radio On' in 1937, and it was published in 1938. At this time radio was relatively new to the rural people, especially gospel music programs. I had become alert to the necessity of creating song titles, themes, and plots, and frequently people would call me and say, 'Turn your radio on, Albert, they're singing one of your songs on such-and-such a station.' It finally dawned on me to use their quote, 'Turn your radio on,' as a theme for a religious originated song, and this was the beginning of 'Turn Your Radio On' as we know it.
What happened was I was a songwriter on Quincy Jones' publishing company, Qwest, for two and a half years before I gave him the song for Michael Jackson. He had a meeting with the songwriters. I think there were about six of us on the West Coast and we all had a meeting at his house where he sort of gave us an outline of what he wanted. To finish this BAD album Jones needed one more song to round out the album. I took notes and then I then took my notes to my writing partner Glen Ballard.
It took me a long time to learn how to write a good song.
I was a waitress for nine years, which I don't regret at all. It taught me about discipline. I was always writing; it took a long time to make a career of it.
I always think it's important to choose your initial theme very carefully because you're going to be married to it for a long time. You might have to generate an hour's worth of music from a very short, little piece of theme.
I took part of Alan Silvestri's theme on the original movie, which I really liked, and I pulled it into it new theme, which became kind of a hybrid. I really enjoyed that.
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