A Quote by Sammy Hagar

I loved that song ["Don't Tell Me"], but man, it was dark. That song did nothing for Van Halen. — © Sammy Hagar
I loved that song ["Don't Tell Me"], but man, it was dark. That song did nothing for Van Halen.
That song ["Don't Tell Me"] didn't take us anywhere, and I know why now. It wasn't what Van Halen fans wanted. It showed the darkness of Van Halen, and basically the end of the band.
Van Halen was a huge influence on me, and 'Eruption' was the song that really leaped off that first Van Halen album.
I had a solo career before Van Halen. My fan base filtered through Van Halen with me and came right on out the other side with me.
I loved Van Halen; I loved everything we did.
When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.
Once a song and dance man, always a song and dance man. Those few words tell as much about me professionally as there is to tell.
I do remember being a kid and hearing Van Halen. My dad was always playing Van Halen in the car.
I'd say it ["I Can't Drive 55"] has probably been the most successful song I've ever been involved with, including any Van Halen songs.
At some point I decided I didn't want to learn any more guitar technique. I was at that level where the next mountain there was to climb was Van Halen and I didn't really like Van Halen.
What's really cool about 'This is Me' is that our friends loved the song. Older punk rock fans don't know 'The Greatest Showman,' haven't seen the movie. And they hear that song and they're like, 'This just sounds like an awesome New Found Glory song. This is a really good song.'
Classic Van Halen made people want to dance and f**k. Modern Van Halen makes you want to drink milk and drive foreign cars.
Greg Ginn was certainly a huge influence on my guitar playing. I put him up there with people like Eddie Van Halen. Eddie Van Halen changed everything; I don't necessarily like everything he did, but he definitely changed everything.
Like the Birth Of Venus, the song [Yello "oh, Yeah"] denotes the birth of the bro. The song just reminds me of bros looking out over lowered Ray-Bans. It birthed a negative sexual revolution. I was going to a lot of bondage clubs at the time and they did play this song. The song I associate more is that horrible Enigma song with the Gregorian chant. There's something good buried in that song and I might not hate it as much if I hadn't been a sex worker.
To me, the secret of Eddie Van Halen was Alex Van Halen, because the way Alex played was so loose and the way the two of them locked together... Those two are connected so thoroughly they might as well be one person.
I think I bring the songs that aren't about me or related to me to life. It's like the song 'How Do I Let A Good Man Down?' Let me tell you, I didn't write that song - because if I have a good man, I ain't going to let him down.
My heroes were Eddie Van Halen - especially after Van Halen I, II, III, and IV - Randy Rhoads, Ace Frehley and dudes like that. My brother played drums and we jammed in the garage and started writing our own stuff.
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