A Quote by Sammy Hagar

I think all the bad blood started when Geffen released a greatest hits package of my solo stuff. — © Sammy Hagar
I think all the bad blood started when Geffen released a greatest hits package of my solo stuff.
When we were on the road, I found out that my greatest hits album went Gold. They freaked out. Things really came to a head when we started arguing about a Van Halen greatest hits package.
If I would have ever dreamed that I wouldn't be in Van Halen anymore and was going to have resume my solo career again, I would have never contributed anything towards my own greatest hits package.
In the rest of the world we had had two albums that were successful, so those two albums' hits and this new four-single package made up an album called Wham! The Final, which is basically greatest hits. We couldn't have done a greatest hits over here, because we'd only done one hit album.
I don't want any production credit. I think producers are overrated. They're for people who, first of all, don't know anything about music or arranging and have no ear for their own doings. They can't tell a good solo from a bad solo, stuff like that.
You have to be nice to everybody, regardless of their position because you never know - they could be the next David Geffen. David Geffen started in the mailroom. Treat everybody the same.
I went to live in New York and released a solo album that I now know was very bad. Roland kept on with the Tears For Fears name. It was a bad split.
We'd been on Geffen for a long time, and I think we felt that we needed a change. I just don't think we felt very close to the people at the label after all this time or that they understood what we were trying to do. I don't have any regrets, because at the time we signed with Geffen, it was the right thing to do.
From the time I started playing solo drums, doing clinics and stuff, you know I think one of the largest selling clinics I ever did was in Chicago.
So you do shorter versions of the hits, or you take out a long guitar solo or things like that to make time for the hits and new music as well. But I don't think any of us ever get to do as much new music as we would like to.
This skin, this hair, all this outside stuff. It isn't me. It's just my package. It's like the wrapper around the sweet; it isn't the sweet itself. What we really are is all inside the package. All our feelings. All our good moods and bad moods. All our ideas, our cleverness, our love, that's what a person really is. It's called a spirit.
I didn't make my first solo record until 1981 so I don't have any 60's or 70's recordings but I am working on a large boxed set called DUST to be released next year, the 20th anniversary of my first solo record.
I didn't make my first solo record until 1981 so I don't have any 60?s or 70?s recordings but I am working on a large boxed set called DUST to be released next year, the 20th anniversary of my first solo record.
I think you just learn a lot of stuff in general about all the stuff he [Edward Snowden] released. I think there's probably a lot that we don't know. That's what is really interesting.
There were certain things I couldn't do with New Order without upsetting the rest of the band, so I started to write some solo stuff.
There are a lot of things that are in the show that harken back to the old show, but I really wanted to resist doing a greatest hits. It was irresistible to do a greatest hits, but it was almost too easy. There are things that I know are still ahead of us, in the future of whatever Arrested Development brings.
I was talking to my dad about the stuff he grew up listening to, and 'Operation: Mindcrime' is a record that he had always talked about around the house. He always talked about it as the 'greatest concept album of all time.' One day, I started listening to it, and it just hit me. I was like, 'These songs are all hits. They're all huge songs.'
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