A Quote by Samoa Joe
I think, for an artist, when you're drawing somebody who actually exists, it's a much steeper critical curve, as there is an actual representation of that person out there. You can't just interpret it any way you want.
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I think as we interpret him and frankly as the world learns to interpret Donald Trump, are these just words that are enigmatic things floating on air or are they actually shifts in policy and will they change moment by moment, day by day without any underlying connection to the actual stuff of governance? I don't know.
I want to be remembered as somebody that tried to respect her integrity as an artist and as a person. And I don't want to be in any box. I don't want to be one thing.
I think, on any given day, somebody could help out a homeless person and cuss out somebody that cut them off in traffic, and I think that everybody has that inside them: it's just how you live that balance - so I think everybody is 'Wretched and Divine.'
I think that things like Twitter and the blogosphere are so instantaneously critical that I think it's actually created a bit of a culture of artistic fear to branch out too much because you don't want to be slammed.
I just want to make a change in the curve industry because I want other curve girls to realize that you don't have to dress a certain way because you are curvy.
I always wanted to be an artist. I think I was just waiting on somebody to approve me and be like, "Oh, okay, you should be an artist," you know 'cause it wasn't until I stopped looking for approval that I could actually do it.
Ask any rapper or singer what artist they are an expert on. What artist are they looking to emulate, and really, what artist is the one person they are an expert on? You see, if you want any kind of longevity, if you want any kind of legacy, you need to know what ancestral line you are from.
I didn't want to become this stiffened - and that was just a personal choice, at that time. And, the idea was also to go to film first, get enough notoriety in film that I could interpret some of the opera stuff the way I would want to interpret it.
'Star Wars' is so much bigger than any single person involved, so you feel like you want to do that justice and also feel like you want to do justice to that little girl inside me that never saw anyone who looked like her, that person who's starving for representation - it's a lot.
So when we come across somebody who does understand this and makes an effort to try and explain it to us, some people freak out and turn that person into either an object of worship or, some people freak out and want to kill that person. I think it's because they know what's true but they don't want to know, they don't want to face up to what that actually means. So they're going to kill the messenger and hope that by doing so they'll destroy the message so they can go back to living their ordinary life again.
I do a lot of research, I try to think about how it relates to music and I just do a ton of drawing. It's much easier to work your ideas out that way.
I do think I go out of my way to be a very normal person and I just find it frustrating that people think that I'm some kind of weirdo reclusive that never comes out into the world. Y'know, I'm a very strong person and I think that's why actually I find it really infuriating when I read, 'She had a nervous breakdown' or 'She's not very mentally stable, just a weak, frail little creature'.
I had to learn, because as an artist myself, an artist owns that right to protect their interest of how they want to roll their project out. It's just important to give them that opportunity to roll it out the way they want to.
I think that, right now, I am travelling in many different directions in my mind, on where I wanted to be. So much is wantin' to go back, but I still gotta move forward. But I think it's just that I'm my worst critic at all times, you know? And when I make somethin', it may be five or ten cuts later before I actually call it what it is. I've always been that kind of artist. I'm gonna put myself through the sweat for it, because I think, as an artist, that's what made me iller, is the fact that I didn't wanna just put out anything and everything. It's just a process, you know what I mean?
When I was at Disney and was a character art manager and handing out artwork that had to be inked we had a thing where if there was any lettering on it I'd hear, "I don't letter," and I said, "Look at it. It's drawing. Ink the drawing." I just learned from Mike Aarons how each letter was just part of the drawing.
Believe it or not, most people think of me as a recording artist, but actually the way I think of myself and the way I earn my living is as a performing artist.
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