A Quote by Samoa Joe
I know what I do well, and I know what I can do with other people.
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The key thing for a CEO to keep their head in the game is recognize that there's turbulent times, plan for, you know, bad luck as well as good luck, keep people focused on what the key, you know, business wins are, and you know, provide the energy that people always need in order to, you know, to go into battle because, you know, work is hard and go into work and do that well. And provide a good leadership beacon for that. In other words, it's the same thing that makes good leadership in any other time.
People don't know. We don't know ourselves so we tell ourselves what we really know is other people. We could say the depth of pain we feel for the lovers who've left us is because we knew them so well.
I have tons of stuff that, you know, seems like it's a well-constructed sentence but it is not how people talk, it's how people write. So that's why I think it's sometimes easier for me to write for actors 'cause I know what's frustrating about, you know, sentences that come out just perfect. Well, who talks like that? And who of us don't overlap each other? Except on the radio, hopefully.
These are two different exercises. One of them is, "You don't know and I know, so just shut up and listen," and the other one is, you're curious and you're learning, and I have a way where you can learn this so you'll know it as well. And when you know it, and know why you know it, then you don't have to reference me ever again because you take ownership of the knowledge, and you can then share it with someone else.
If you know each other well, you want to do business with people you know well. You don't do business with strangers.
Those who know me well know that I don't wear my emotions on my sleeve like other people do. That's just the way I was raised.
I really do feel like I know myself, and I'm so happy to be by myself and I'm so happy to be with other people; I just know myself really, really well, and I think that is an amazing thing. I think a lot of people don't know themselves that well.
I really do feel like I know myself, and I’m so happy to be by myself and I’m so happy to be with other people; I just know myself really, really well and I think that is an amazing thing. I think a lot of people don’t know themselves that well.
I am a very independent person, and I, you know, I maintain that independence, but, you know, certain things - I mean, it takes, you know, it's just much easier for other people if other people can help you every now and again.
I am not agnostic. I am atheist. I don’t think there is no God; I know there’s no God. I know there’s no God the same way I know many other laws in our universe. I know there’s no God and I know most of the world knows that as well. They just won’t admit it because there’s another thing they know. They know they’re going to die and it freaks them out. So most people don’t have the courage to admit there’s no God and they know it. They feel it. They try to suppress it. And if you bring it up they get angry because it freaks them out.
There are all these people here I don't know by sight or by name. And we pass alongside each other and don't have any connection. And they don't know me and I don't know them. And now I'm leaving town and there are all these people I will never know.
It's always a problem when you're working with people you don't really know. Most filmmaking is about shaking hands and just starting. You know, these month - or two-month-long endeavors that millions of dollars are based on, and the people doing them don't even know each other, or know each other under pressure, or know each other when things are really... Which filmmaking is completely done under in many circumstances. You're under constant crisis, making a movie.
I have employees that are, you know, other types of diversity, coming to me and saying 'Well, why aren't we focused on these other areas as well?' and I said yes, we should focus them, but, you know, the phrase we use internally is, 'If everything is important, then nothing is important.'
Ballet needs figures that people can recognize and relate to. People don't know ballet dancers as well as they know other artists.
In the media, from the little bit that I have read... there's not a lot of pity. There are some people, usually older people who have been around or people who really know basketball. Other people in the media are usually like, 'Well, stop getting injured.' You know, like I can control it.
People who live in an age of corruption are witty and slanderous; they know that there are other kinds of murder than by dagger or assault; they also know that whatever is well said is believed.
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