A Quote by Sampha

You have to be quite brave to write about something that you honestly feel and think. — © Sampha
You have to be quite brave to write about something that you honestly feel and think.
For me, when I'm writing something really personal, I don't feel good about it. It's weird that people can connect to it and like something that came from a really crap place. You have to be quite brave to write about something that you honestly feel and think.
Write because you love it and not because it is something that you think you should do. Always write about something or somebody you know about - something that you feel deeply and passionately about. Never try and force it.
I just realized quite early on that I'm not going to be the type who can write a novel every two years. I think you need to feel an urgency about the act. Otherwise, when you read it, you feel no urgency, either. So I don't write unless I really feel I need to, and that's a luxury.
I think the only person a writer has an obligation to is himself. If what I write doesn't fulfill something in me, if I don't honestly feel it's the best I can do, then I'm miserable.
Everything I write is about big feelings. What I care about is trying to be brave enough to feel how you feel and to be emotionally true.
People say sometimes, gosh, that was brave of you to write such-and-such last week. 'Brave?' What do they mean 'brave?' It's right! How could you not write it?
Honestly I don't like to write songs that often, only when I feel like I need to and when I've got something that I really want to sing about.
I do feel very American. I think it's something I'm proud of and proud to be by chance born here. Honestly, that's something I think about.
I'd quite like to write a book about comics, actually. But trying to write about comics as literature, which I don't think anyone's really done before. Sometimes they're more like fan books, and I'd quite like to write one about the Marvel universe over the last 50 years. It's an unprecedented achievement to create that length of continuity.
To write honestly and with conviction anything about the migration of birds, one should oneself have migrated. Somehow or other we should dehumanize ourselves, feel the feel of feathers on our body and wind in our wings, and finally know what it is to leave abundance and safety and daylight and yield to a compelling instinct, age-old, seeming at the time quite devoid of reason and object.
Every time I write a new novel about something sombre and sobering and terrible I think, 'oh Lord, they're not going to want to go here'. But they do. Readers of fiction read, I think, for a deeper embrace of the world, of reality. And that's brave.
Nearly everybody is looking for something brave to do. I don't know why people shouldn't write poetry. That's brave.
When we put the pen to paper, we articulate things in our life that we may have felt vague about. Before you write about something, somebody says, 'How do you feel?' and you say, 'Oh, I feel okay.' Then you write about it, and you discover you don't feel okay.
I don't really wanna think about themes. I wanna just think about the experience of the movie. I feel like, as soon as I reduce it to a theme, once I write that sentence, it won't be that great. I feel like there's more potential for it to mean something interesting if I'm not forcing it to mean something I've already decided.
I feel like I'm almost ready to write fiction about the border. But even after 10 years of writing nonfiction about it, I don't think I know quite enough to do it right.
It's not nuclear physics. You always remember that. But if you write about sports long enough, you're constantly coming back to the point that something buoys people; something makes you feel better for having been there. Something of value is at work there...Something is hallowed here. I think that something is excellence.
This site uses cookies to ensure you get the best experience. More info...
Got it!