A Quote by Samuel Alexander
When we come to images or memories or thoughts, speculation, while always closely related to practice, is more explicit, and it is in fact not immediately obvious that such processes can be described in any sense as practical.
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It had come to me not in a sudden epiphany but with a gradual sureness, a sense of meaning like a sense of place. When you give yourself to places, they give you yourself back; the more one comes to know them, the more one seeds them with the invisible crop of memories and associations that will be waiting for you when you come back, while new places offer up new thoughts, new possibilities. Exploring the world is one of the best ways of exploring the mind, and walking travels both terrains.
Unfortunately for the good sense of mankind, the fact of their fallibility is far from carrying the weight in their practical judgement, which is always allowed to it in theory; for while every one well knows himself to be fallible, few think it necessary to take any precautions against their own fallibility.
The object of the engine is in fact to give the utmost practical efficiency to the resources of numerical interpretations of the higher science of analysis, while it uses the processes and combinations of this latter.
We comfort ourselves by reliving memories of protection. Something closed must retain our memories, while leaving them their original value as images. Memories of the outside world will never have the same tonality as those of home and, by recalling these memories, we add to our store of dreams; we are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.
I think that sleep and work are very closely related - not because you can work while you're sleeping and sleep while you're working. That's not really what I mean. I'm talking specifically about the fact that sleep and work are phase-based, or stage-based, events.
I have always been resistant to doctrine, and any spirituality I had experienced thus far in my life had been much more abstract and not aligned with any recognized religion. For me, the most trustworthy vehicle for spirituality had always proven to be music. It cannot be manipulated, or politicized, and when it is, that becomes immediately obvious.
Memories... images and precious thoughts that shall not die and cannot be destroyed.
The fact is that child rearing is a long, hard job, the rewards are not always immediately obvious, the work is undervalued, and parents are just as human and almost as vulnerable as their children.
Engineering is not a science. Science studies particular events to find general laws. Engineering design makes use of the laws to solve particular practical problems. In this it is more closely related to art or craft.
There's no genetic basis for any kind of rigid ethnic or racial classification. I'm always asked is there Greek DNA or an Italian gene, but, of course, there isn't. We're very closely related.
While doing centering prayer, the practice is to let go of any thought or perception. The priority is to be as silent as possible and when that is not possible to let the noise of the thoughts be the sacred symbol for a while, without analyzing them.
One important idea is that science is a means whereby learning is achieved, not by mere theoretical speculation on the one hand, nor by the undirected accumulation of practical facts on the other, but rather by a motivated iteration between theory and practice.
In humans, smell is often viewed as an aesthetic sense, as a sense capable of eliciting enduring thoughts and memories. Smell, however, is the primal sense. It is the sense that affords most organisms the ability to detect food, predators, and mates.
Joy is a part of my process. In fact, I'd go so far as to say that poetry, as a practice, necessitates a sense of joy. It's exhilarating to come into contact with the things we write into being. And a real sense of play and abandon ? even when we are relying on hard-won technique, and even when the aim is deadly serious. How often do we get the excuse to stop, think, and then stop thinking altogether and try to listen to what sits behind our outside of our thoughts? Poets are lucky.
These days any self-respecting exhibition of nude photos has to have pornographically explicit images to prove that they are works of art.
Over the years, I think, more and more, I've come to recognize that my parents - not in a didactic or explicit way, but in a very powerful way by their example - gave me a sense that government could be a force for good.
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