A Quote by Samuel Barber
I have always believed that I need a circumference of silence. As to what happens to when I composer, I really haven't the faintest idea.
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Show me somebody who is always smiling, always cheerful, always optimistic, and I will show you somebody who hasn't the faintest idea what the heck is really going on.
No particular thought can be mind's natural state, only silence. Not the idea of silence, but silence itself. When the mind is in its natural state, it reverts to silence spontaneously after every experience, or, rather, every experience happens against the background of silence.
If a composer could state in words what being a composer means, he would no longer need to be a composer.
I haven't the faintest idea what my royalties are. I haven't the faintest idea how many copies of books sold, or how many books that I've written. I could look these things up; I have no interest in them. I don't know how much money I have. There are a lot of things I just don't care about.
I've always liked the effect of having somebody in there who hadn't the faintest idea what was going on.
Music composer Tanishk Bagchi has always believed in me.
It's absolutely irrelevant what galleries and critics and people who buy your paintings think. They just don't have any possible idea of what happens to you and they're really not that interested. As a matter of fact, they hate the idea that anything really happens to you. They want you to be a genius and that's it.
It is very hard to live with silence. The real silence is death and this is terrible. To approach this silence, it is necessary to journey to the desert. You do not go to the desert to find identity, but to loses it, to lose your personality, to be anonymous. You make yourself void. You become silence. You become more silent than the silence around you. And then something extraordinary happens: you hear silence speak.
The world has no circumference. It would certainly have a circumference if it had a centre, in which case it would contain within itself its own beginning and end; and that would mean that there was some other thing which imposed a limit to the world - another being existing in space outside the world. All of these conclusions are false. Since, then, the world cannot be enclosed within a material circumference and centre, it is unintelligible without God as its centre and circumference.
I am a composer first and foremost, and have always believed that being able to write memorable melodies is what sets musicians apart.
You have to be really, really confident in your decision to marry somebody. I don't think my parents were stupid, but I do think maybe it was rushed. But if they hadn't gotten married, my sister and I wouldn't be here. I think everything happens for a reason. I've always believed that.
Sometimes it's just enough for me to have the idea. I don't need to see it through to the end. When it actually happens, I'm always disappointed because it's never like what I imagined in my head. When an idea becomes a reality, then it's a job. I'd rather just think about it.
The art form has to do with the mystery and the hidden invitation that's in the room. And that's when the magic happens, that's when the deep silence emerges to the surprise of all the attentively listening ears. In a way, you're following that silence. You go where the silence is deepest.
Plot springs from character... I've always sort of believed that these people inside me- these characters- know who they are and what they're about and what happens, and they need me to help get it down on paper because they don't type.
We need to find God, and he cannot be found in noise and restlessness. God is the friend of silence. See how nature - trees, flowers, grass- grows in silence; see the stars, the moon and the sun, how they move in silence... We need silence to be able to touch souls.
Notes are part of life for any composer for hire. There's no way around it. I think anyone who has done even a small number of films as a professional composer gets used to that idea pretty quickly.
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