A Quote by Samuel Barnett
To me, Elijah Wood is one of the best actors of my generation. He's so incredibly present and in the moment, when you're working with him, and then we just chat away about anything off camera because he's a lovely guy.
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I'm a huge fan of [Elijah Wood] work and a huge fan of him, as a person. What's great about getting to know him is that he's just a really lovely, regular guy.
I was having tea with a guy I was introduced to, about the possibility of working with him at his production company. He asked me if I'd written anything, and I said yes. Then he said 'why don't you just shoot it'? And I thought, "duh!" Best advice I ever got.
We did every scene together, every day for four months, and it could have been a disaster, if we didn't get on, but we clicked straight away. Elijah Wood is just the nicest guy.
When I worked with Chevy Chase, Michael Ritchie would say, "Just ad lib and try to break me up. Just insult me. Anything." When we were doing his close-up, or when my back was to the camera, I would come up with jokes or quips or anything, to get a real reaction out of him. He was smart enough to know that was gold. So it was great fun working with him and Michael, and getting to see how the two worked together. I think Fletch and Clark Griswold were Chevy's two best roles. He's so incredibly talented and still vastly underused.
Elijah Wood confirms his standing as the foremost actor of his generation. ...Wood acts so eloquently with his sentient face and searching eyes that his job becomes one of concealing how redundant his spoken lines are - a tricky job he largely is able to bring off commendably.
Each situation is different... Each situation, I'm a different person I guess. He's present; the actors are present; and you just work in that moment, trying to flush it out. We have history from Assassins and Wicked, but it's always new beginnings between us. You start off fresh and that's what I like and respect about him.
Unfortunately, when you're working in film, it's this huge machine, and you've got to get everyone right there, so you get kind of locked into things. I'm not sure where the artistry in film making is. It's usually that moment when you're on set and you're working with the actors. That's the time to play around, the moment of theater. And then you can shape things. But a lot of it is just managing stuff. It's upsetting because you get away from the core.
Working on a set and working with actors, that's all the same. The moment you're doing it and you're in the moment, you don't have time to think about it. You just have to make it as good as you possibly can on the moment.
I'd seen Elijah [Wood], when I was a little boy, in The Good Son. And then, I was a huge fan of The Lord of the Rings. It took awhile to get over that whole, "That's Elijah Wood - Frodo, from The Lord of the Rings." I was a mega fan of that. I went to the all-day screenings of the director's cut, where you could see the really long versions of all three movies, in one day.
Sometimes people don't rehearse at all, but you might have had a chance to rehearse for a few days, or even more than that. Then in the moment when the camera's running is the only time it matters. So whatever you've discussed or thought about or discussed with the director, the other actors, hopefully there's a part of the experience that you've left open so that only in that moment the camera catches it. That's of course the hardest thing to do because everything is planned and you have thought about it in advance.
Everybody's on their toes and focused on what we're about to do, and then there's this moment where you relax because you see that everybody is there to do the best that they can. Everyone opens up to one another right away. That's a terrific thing. I love that about actors. They know how personal this job is.
And as an actor, just working with someone as seasoned and professional and kind as Richard Jenkins, it's always a learning experience watching him - on camera and off camera, just soaking it all up.
Dirk Gently [from Dirk Gently's Holistic Detective Agency], needs a sidekick, as all good detectives do, and he gets this message from the universe that this guy, Todd Brotzman, played by Elijah Wood, is the guy to help him through this mystery. But of course, that doesn't really explain the breadth of it.
The nature of the video camera really makes you focus on the present. Since I have always been a diarist filmmaker, not one who stages scenes with actors, it has always been about the present moment.
I'm a Brit and I just put myself on tape, back in London, for a very distant American project that I thought I didn't stand a chance of getting. And then, I got a call about a week after I had submitted my tape, just saying, "They really like you and want to screen test you." So, I flew to L.A. and did the screen test. And then, I met Elijah [Wood] and did a screen test with him. And then, I had a very nerve-wracking few days back home, waiting and waiting and thinking, "This cannot possibly go my way because that would just be too good to be true." And then, it did.
I like terrifying. Modeling's terrifying to a lot of people too. Standing in front of a camera is terrifying. I like a challenge. Sailing really forces you to be present and in the moment. You kind of forget about the bullshit of life. Your thoughts go away because you're focused on making sure everything's working. I like being in that place.
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