A Quote by Samuel Barnett
I read the script [of Dirk Gently's Holistic Detective Agency] and went, "I haven't read anything this good, in a long time." I thought it was absolutely brilliant. The dialogue is so sparkling, smart and witty. You also have these insane, crazy characters, like energy sucking vampires and holistic assassins. It's all completely weird.
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Dirk Gently [from Dirk Gently's Holistic Detective Agency], needs a sidekick, as all good detectives do, and he gets this message from the universe that this guy, Todd Brotzman, played by Elijah Wood, is the guy to help him through this mystery. But of course, that doesn't really explain the breadth of it.
The whole nature of the show [ Dirk Gently's Holistic Detective Agency] is that everything is connected, and everything is interconnected. You have all of these strands with all of these characters, and you watch the characters interact and you wonder, "What do they have to do with each other? How does any of this link?"
The great thing about the show [ Dirk Gently's Holistic Detective Agency] is that there is so much more to be revealed. There are questions about what each of these characters actually know, and nothing is what it seems.
Because I'm playing Dirk Gently [ in Dirk Gently's Holistic Detective Agency], I'm so fond of Dirk. I really see Dirk's vulnerability, and you get that, more and more. You'll start to see a little bit more of Dirk's backstory, why he behaves the way he does, and why he's doing what he's doing. I see a lot of his vulnerability, his sensitivity and his insecurity.
One of the joys of this show [Dirk Gently's Holistic Detective Agency] is that each of those characters could be starring in their own show. It's only as the show goes on that you realize how they interconnect. They're all moving towards one another inexorably, to meet at a certain point.
I attempt to read one book every day. I don't always achieve that, especially when I'm traveling. But when I'm home, I read almost a book a day. I certainly read a minimum of two or three a week. And as a result of that, I've read over 3,000 books in areas that interest me, like consciousness and spirituality, holistic health, leadership, success, psychological awareness, therapy, etc.
I had to audition for Fandango. When I read the script, the role that was interesting - so everyone thought - was the role that Costner played. He was the cool guy. And I read the script, and my representation at the time said, "That's the role you should read for." And I was like, "Really? How about I read for this other role." And they went, "Well, you're not going to get that role."
Dirk Gently has been a long passion (my career started with Douglas Adams and my stage adaptation of Dirk Gently) .
I think Dirk [Gently] thinks that he's a brilliant detective, but he's the worst detective, ever. He does have this particular skill, which I suppose you might call a really bad superpower because it's just not very helpful. He is able to sense the connections between things and he's nearly always right, but the problem is that he never knows what to do with any of those messages that he receives from the universe, so he just acts on things and gets himself into terrible trouble, all the time.
All modesty aside, I think I'm good at reading scripts. The way I read a script is as fast as I can, all in one sitting, and I don't read many of the stage directions. I only read enough stage directions to let me know where I am, because they're always so verbose and mostly horseshit. So I only read the dialogue, which allows me to see the movie in my mind's eye in real time.
Online is such a brilliant, brilliant way to connect with young readers - even if they just want to tweet, 'Hey, I read your book!' - that, absolutely, I connect with that. But I also treat writing as solitary and keep it to myself as long as I can.
If a good visionary wants to jump on board with that and I see their vision correctly and I like it and I like the script, I would absolutely do it but I have to read the script first.
A lot of the time with jobs that I've booked, immediately I'll read the breakdown, or I'll read the script, and I'm like, 'Oh I'd love to do this, but I'm completely wrong for it,' and they tend to be the jobs that I book.
I mark a script like an exam, and I try not to do anything under 50 per cent. Similarly with the part. And also film is a peculiar thing, parts don't necessarily read in script form anything like as well as they can do when it comes to materialising.
I was influenced at an early age by Gandhi, and I have read many biographies of him. I have been greatly influenced in the last twenty years by Mandela. It is amazing that he has managed to keep such a balance, that he came out of prison after such a long time as a rounded, holistic person who could reach difficult accommodations with generosity.
Man, I had a good time working on 'Grown Ups 2.' First of all, when I read the script, it is hands-down the funniest script I've ever read. It's laugh-out-loud funny.
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