A Quote by Samuel Barnett

With Millais's paintings, it's microscopic; when he does hair, it's extraordinary: you can see every strand. — © Samuel Barnett
With Millais's paintings, it's microscopic; when he does hair, it's extraordinary: you can see every strand.
Unlike the background in many of the paintings that I was inspired by or paintings that I borrowed poses from - the great European paintings of the past - the background in my work does not play a passive role.
As a child, I saw my mother prepare for Christmas every year, and it never occurred to me that labor was involved. I thought it was my mother's joy and privilege to hang tinsel on the tree strand by strand, to make sure that every room in the house had a touch of Christmas, down to the Santa-themed rug and hand towels in the bathroom.
you have often seen in the cinema, erich, haven't you, that between extraordinary people extraordinary things like for example extraordinary love can arise. so we only have to be extraordinary and see what happens.
The experienced physician, mechanic, or physiologist looking at a wound, an engine, a microscopic preparation, "sees" things the novice does not see. If both, experts and laymen, were asked to make exact copies of what they see, their drawings would be quite different.
I got your strand of hair, I kiss it day and night.
Stories are webs, interconnected strand to strand, and you follow each story to the center, because the center is the end. Each person is a strand of the story.
But you're disappointed." He brushed a strand of hair from her face. "It's not possible for you to disappoint me.
I enjoy thinking about how paintings can change depending on where they are - how they look in a gallery or in relation to other paintings, or in different rooms. Paintings can change the way we experience and see the world.
Man does not weave this web of life. He is merely a strand of it. Whatever he does to the web, he does to himself.
If you watch '90210,' you see my hair changing every episode - I've chopped it off, and I've kept it long. I've done it all to my hair on that show.
... suffering does not ennoble. It destroys. To resist destruction, self-hatred, or lifelong hopelessness, we have to throw off the conditioning of being despised, the fear of becoming the they that is talked about so dismissively, to refuse lying myths and easy moralities, to see ourselves as human, flawed, and extraordinary. All of us extraordinary
I have had every hair color. I joke with my hair colorist. She keeps sheets of paper on every hair color that I've had, so she has records of it all. She's done my hair since I was 15, and I guess I have a thick folder going because I've had so many different hair colors.
Why does the thin grey strand Floating up from the forgotten Cigarette between my fingers, Why does it trouble me?
Every painting is always two paintings: The one you see, and the one you remember.
Once you dye your hair for the first time, you see other people with dyed hair, and you see them differently than you did before. And you're just like 'Yes! Live! Work that color! Yes, I love you in every way! You're killin' it! I want to do that color next!'
I don’t think I’m making myself very clear Low,” he’d lowered his voice and the effect made goose bumps break out over my body. “I was only interested in one person at that bar last night. I only came to see one person,” he tucked a strand of hair behind my ear and softly caressed my earlobe before tracing the line of my jaw. “I was there for you.
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