A Quote by Samuel Beckett

I hope I am not too old to take it up seriously, nor too stupid about machines to qualify as a commercial pilot. I do not feel like spending the rest of my life writing books that no one will read. It is not as though I wanted to write them.
I don't read my books, I write them. Once I've finished the many years it usually takes me to write them, I can't bear to read them, because I've spent too long with them already. I'm not advertising them very well, am I?
I do like people to read the books twice, because I write my novels about ideas which concern me deeply and I think are important, and therefore I want people to take them seriously. And to read it twice of course is taking it seriously.
The second book, which was probably more from a professional standpoint - when I read Junot Díaz's Drown, I was like, Oh my god, you can write these stories and people will actually read them beyond your own little community. This guy's book is blowing up and it seems like [he's writing about] the neighborhood that I grew up in. That was a big deal. I read that in graduate school, so that's when I was really taking writing seriously, but I didn't know you could do it. I didn't know you can actually be an author. It was a weird epiphany.
Writing 'This Is Who I Am...' I wanted to write a song about where I'm at, that I have accepted where I have come to and I wanted my fans to be able to connect to it too. I want them to stand proud!
Novels are my favorite to write and read. I do like writing personal essays, too. I'm not really a short story writer, nor do I tend to gravitate to them as a reader.
I don't want anyone writing in to point out that I spend too much money on books, many of which I will never read. I know that already. I certainly intend to read all of them, more or less. My intentions are good. Anyway, it's my money. And I'll bet you do it too.
He wanted to wake up to her smile every day for the rest of his life, like some stupid coffee commercial on TV.
You should not take old people who are already dead seriously. It does them injustice. We immortals do not like things to be taken seriously. We like joking. Seriousness, young man, is an accident of time. It consists, I don't mind telling you in confidence, in putting too high a value on time. I, too, once put too high a value on time. For that reason I wished to be a hundred years old. In eternity, however, there is no time, you see. Eternity is a mere moment, just long enough for a joke.
And tell them all about the books you've read. Better still, buy some more books and read them. That's an order. You can never read too many books.
I try to write stories that will attract younger readers and make them feel part of a wider readership. I do not feel able to write books that are about, or even for, teenagers; and I am inclined to be suspicious of books which 'target' them.
The sole perfection which modern civilization attains is a mechanical one; machines are splendid and flawless, but the life which serves them or is served by them, is neither superb nor brilliant, nor more perfect nor more graceful; nor is the work of the machines perfect; only they, the machines, are like gods.
We can think so much about life and take ourselves so seriously; I mean, I like to tell people, 'Don't take life too seriously' because you'll cloud the experience. That's what the meaning of life is to me - being able to enjoy the moment.
I write what I'd like to read and just hope that, along the way, others might like to read them, too.
If I get too old to write, or short-term memory loss - that was the one Philip Roth was worried about - if I got to that point, that would be terrible, because everything about my life has been streaming toward writing and having something to say. That would make me feel as though I were in an iron maiden of some kind.
Writing has nothing to do with publishing. Nothing. People get totally confused about that. You write because you have to - you write because you can't not write. The rest is show-business. I can't state that too strongly. Just write - worry about the rest of it later, if you worry at all. What matters is what happens to you while you're writing the story, the poem, the play. The rest is show-business.
Words are alive--when I've found a story that I love, I read it again and again, like playing a favorite song over and over. Reading isn't passive--I enter the story with the characters, breathe their air, feel their frustrations, scream at them to stop when they're about to do something stupid, cry with them, laugh with them. Reading for me, is spending time with a friend. A book is a friend. You can never have too many.
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