There are a lot of millionairess situations. I'm one of them. I've always dated down financially. And now I'm changing my tune on that one. Things are going to change for me.
Faults They came to tell your faults to me, They named them over one by one; I laughed aloud when they were done, I knew them all so well before,-- Oh, they were blind, too blind to see Your faults had made me love you more.
Pride has a greater share than goodness in the reproofs we give other people for their faults; and we chide them not so much to make them mend those faults as to make them believe that we ourselves are without fault.
The faults of a superior person are like the sun and moon. They have their faults, and everyone sees them; they change and everyone looks up to them.
Meg, I give you your faults." "My faults!" Meg cried. "Your faults." "But I'm always trying to get rid of my faults!" "Yes," Mrs. Whatsit said. "However, I think you'll find they'll come in very handy on Camazotz.
If our lives are out of tune with the music of the gospel, we must tune them up.
If I see a certain faults in people, I know there will be more faults in me as well. I'd rather focus on how I should work on my faults.
TV is tricky. You can do some stuff and people will tune out and never tune back in. It's sort of like putting a bad taste in somebody's mouth. Some people may not ever tune in again. And then there's some people that will tune in just to tune in and see what's gon' happen.
There is no one without faults, not even men of God. They are men of God not because they are faultless, but because they know their faults, they strive against them, they do not hide them, and are ever ready to correct themselves.
I imagine that as contemporary music goes on changing in the way that I'm changing it what will be done is to more and more completely liberate sounds from abstract ideas about them and more and more exactly to let them be physically uniquely themselves. This means for me: knowing more and more not what I think a sound is but what it actually is in all of its acoustical details and then letting this sound exist, itself, changing in a changing sonorous environment.
I have to be in tune. All the time. I have to be in tune with my husband, where he is, how he's feeling. I have to be in tune with where my family is.
One of the greatest and also the commonest of faults is for men to believe that, because they never hear their shortcomings spoken of, or read about them in cold print, others can have no knowledge of them. GEORG CHRISTOPH LICHTENBERG, The Reflections of Lichtenberg We are often more agreeable through our faults than our good qualities.
Do not think of your faults, still less of other's faults; look for what is good and strong, and try to imitate it. Your faults will drop off, like dead leaves, when their time comes.
What I mean is this: you meet someone, you think about them. You're already changing because of the way you think about them. You meet them again, you think about them some more, you're changing again. And on it goes. You are changing right now. Before my eyes.
It's fine to keep releasing tune after tune if you can keep up with that pace but I can't. I'm not the guy that will have the hot tune every month. That's not me!
A woman gets angry when a man denies his faults, because she knew them all along. His lying mocks her affection; it is the deceit that angers her more than the faults.