A Quote by Samuel Butler
I never knew a writer yet who took the smallest pains with his style and was at the same time readable.
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Great books are readable anyway. Dickens is readable. Jane Austen is readable. John Updike's readable. Hawthorne's readable. It's a meaningless term. You have to go the very extremes of literature, like Joyce's "Finnegan's Wake," before you get a literary work that literally unreadable.
The most durable thing in writing is style, and style is the most valuable investment a writer can make with his time. It pays off slowly, your agent will sneer at it, your publisher will misunderstand it, and it will take people you have never heard of to convince them by slow degrees that the writer who puts his individual mark on the way he writes will always pay off.
It's akin to style, what I'm talking about, but it isn't style alone. It is the writer's particular and unmistakable signature on everything he writes. It is his world and no other. This is one of the things that distinguishes one writer from another. Not talent. There's plenty of that around. But a writer who has some special way of looking at things and who gives artistic expression to that way of looking: that writer may be around for a time.
Like Hemingway and Faulkner, but in an entirely different mode, Fitzgerald had that singular quality without which a writer is not really a writer at all, and that is a voice, a distinct and identifiable voice. This is really not the same thing as a style; a style can be emulated, a voice cannot, and the witty, rueful, elegaic voice gives his work its bright authenticity.
I'm a long-time fan of Rob Long, and his books are hugely re-readable, detailing the ins and outs of being a Hollywood comedy writer with a past success but with everything to prove.
When a new writer defends his "style," the teacher smiles (or cringes) because real style isn't an artifice. Real style - voice - arrives on its own, as an extension of a writer's character. When style is done self-consciously and purposefully it becomes affectation, and as transparent as any affectation - an English accent on an old college chum from New Jersey, for example.
Somebody scoffed, Oh, you'll never to that - At least no one ever has done it; But he took off his coat and he took off his hat, And the first thing we knew, he'd begun it.
The most durable thing in writing is style, and style is the single most valuable investment a writer can make with his time.
Every time I start off a book or a story I feel like I'm developing a new style or approach for that individual story alone, and it sometimes feels as if readers are looking for the same style/approach from the same writer over and over again, which hasn't helped me in the publishing biz.
Nick Flynn is another writer I admire - his fragmented sections, his playfulness with genre, his urgency. The palette in his work is his style, a voice that is singular, and that's what I think writers should strive for, to have a style and a voice that is only theirs.
Anyone, however, who has had dealings with dates knows that they are worse than elusive, they are perverse. Events do not happen at the right time, nor in their proper sequence. That sense of harmony with place and season which is so strong in the historian--if he be a readable historian--is lamentably lacking in history, which takes no pains to verify his most convincing statements.
It finally happened, he thought as he burrowed under his shirt and took hold of his heavy cross. All his life he’d wondered why he’d never fallen in love, and now he knew: He’d been waiting for this moment, this woman, this time. The female is mine, he thought. - Manny
I was a 'learn by doing' writer - I never took any formal writing classes. So it took a long time to figure things out and find my voice.
The weirdest thing to me is that magazines would never do this for their writers. They would never hire a writer who writes for another magazine; they want to have their own stable of writers. Newsweek would never hire a TIME writer, and TIME would never hire a Newsweek writer - but they would both hire the same photographer to shoot a cover for them.
Look at someone like Steve Jobs. His look wasn't very special - black turtleneck and jeans - but he had style. He looked the same, and you knew it was him when you saw him. Plus, he was a very smart person, which is also very attractive. His style was simple, not distracting, and very strong.
Language is properly the servant of thought, but not unfrequently becomes its master. The conceptions of a feeble writer are greatly modified by his style; a man of vigorous powers makes his style bend to his conceptions.
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