A Quote by Samuel Ervin Beam

Music is one of those things that if you play it safe, it can be incredibly boring. — © Samuel Ervin Beam
Music is one of those things that if you play it safe, it can be incredibly boring.
I was a tax attorney for something like seven years, so I was a tax geek. I was really into it. Tax is one of those things that people think is incredibly boring, but like any science about systems, once you get into it it, becomes incredibly intricate and interesting.
As an actor, you can't play big, huge things. But, what you can play is love for your father and caring for your daughter and being afraid, and having to dig deep and find out what you're made of. All of those things have been incredibly fun to play.
The opposite of Taking A Risk is of course Playing It Safe The latter would probably be a reasonable way of life for seventy or eighty years if you had a contract to live for a thousand years. However, since you know that is out of the question, you must admit, Playing It Safe is a pretty dull way to live. Those who play it safe are generally not too exciting, in fact they would probably border on being very boring personalities. On a score of one to ten as a Risk Taker where do you stand? Add a little spice to your life today and take a risk.
I'll always push the envelope. To me, the ultimate sin in life is to be boring. I don't play it safe.
Acting is one element in a film. Directing is sort of the painter using all of those elements - sound and music and camera and putting it all together. And that can be fun and exciting. If you fail, it's incredibly upsetting - much more upsetting than when you're an actor. But when you succeed it's incredibly, incredibly exciting, so I like the risk of it all.
Safe sex, safe music, safe clothing, safe hair spray, safe ozone layer. Too late! Everything that's been achieved in the history of mankind has been achieved by not being safe.
Generalization, especially risky generalization, is one of the chief methods by which knowledge proceeds... Safe generalizations are usually rather boring. Delete that "usually rather." Safe generalizations are quite boring.
Nine out of 10 times these guys will hit it-they'll be on something incredibly funny, but one out of 10, two out of 10, they'll fall flat on their faces. That's what makes them great actors: they take those chances, they don't play it safe.
It's incredibly fun to play someone that you don't like. It exorcises your own demons in a way. It's cathartic. We all have things that we don't like about ourselves, little things. And I get to amplify those things and put them out there. It's fun and it has a cleansing effect.
There's always peripheral things that you like that you don't know, but starting with whatever his British influences are, are some of my favourite artists, and the American things are what I grew up on as well. In the end, for me, it's those foundations of the music business - those things that are a lot of the foundations of what music today is. You can hear a bit of all of those things that we talk about in almost all music today.
Play difficult and interesting things. If you play boring things, you risk losing your appetite. Saxophone can be tedious with too much of the same.
Business people want things to be safe but that's rubbish to me. In music nothing should be safe.
I admire anyone who takes risks, especially in a creative sense, and who doesn't play it safe. Those are the people who keep things moving forward.
In my home, I listen to music; I play music: I play guitar and I play ukelele. And I swim and I ride a bike and I do all the things that everybody else does.
Anytime I get the chance to sing or work with Michael John, it is such an incredibly fertile and incredibly creative and safe and encouraging environment - and challenging, too, because he is so collaborative!
There's this perception of D.C. as a boring town run by old white men, but in reality, there are incredibly young people in charge of really important things.
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