A Quote by Samuel Ervin Beam
I change things each time we go into making a record, like the personnel playing on it, the types of music.
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The more I go on in this career of making albums, writing songs and playing music, the more I think of each album as a movie. I really wanted to make a film, but making a film is much more expensive than making a record.
Playing music for as long as I had been playing music and then getting a shot at making a record and at having an audience and stuff, it's just like an untamed force... a different kind of energy.
One song isn't going to ever change things, but I suppose it's the accumulation of music generally [that is]. If you can imagine a world that has no music in it, it would be a very different world, so music does change the world by virtue of all the music in it. Cumulative music of every kind, from banging a drum to playing a flute or recording symphonies, or singing 'War, what is it good for?' All those things change the whole way we live.
Record Without A Cover' was about allowing the medium to come through, making a record that was not a document of a performance but a record that could change with time, and would be different from one copy to the next.
'Record Without A Cover' was about allowing the medium to come through, making a record that was not a document of a performance but a record that could change with time, and would be different from one copy to the next.
Willow [Smith] started making music first. I was like, "My younger sister is, like, 4, and she's making all these fire songs. What's happening?" Willow was doing all these things, about to have record label deals at like the age of 6, and I was like, "I feel like I'm underachieving."
When you're making a record - and I've never said this to anybody, but it's true - when you're making a record, and you go, 'Man, this might win a Grammy!' you feel that level of confidence when you're making a record.
You know, I like playing music and playing guitar, and I like to draw, so I thought I would end up just probably barely making a living, or probably having to have some other job, but being involved in one of those things that I really like to do. But that didn't work out like that.
Technology has given us convenience, but at the same time it's making musicians work harder in that if you really want to make money making music and selling albums, you have to go out there and perform. And hope you sell stuff like merch, and get on YouTube, and all the other ancillary sort of things that go along with that.
I just like making music. Record, record, record.
Everything I do, I'm always playing music. When I wake up in the morning, I'm playing music. When I'm showering, I've got music playing. When I go to the field, music is playing.
Things that are so hard for people, like playing championship-level Go and poker, have turned out to be relatively easy for the machines. Yet at the same time, the things that are easiest for a person - like making sense of what they see in front of them, speaking in their mother tongue - the machines really struggle with.
I value my core fans I got from the hood. I think a lot of things might hit home with them, like problems with the law or how I talk about partying - all the different topics I cover when I do rap. But I also value my suburban fans who take a liking to my music and like the way I change cadences. I appreciate all of them cause both types of fans push me to record all the time, both push me to give my best when I do a show. Both push me to be the best rapper and not just do it as a hobby, but do it as a job and take it seriously and put pride in it.
When I was 13 I'd record myself on my karaoke machine and if I didn't like it I'd record it again. I'd do that for hours, making sure each line sounded just right.
If you'd have asked me two years ago, I'd have been like "No, anything and everything. Go for it." Now, I want to focus on doing the best I can each time. But I think it's hard for me to only put out one record a year. Because I get too antsy. But it's good I'm learning to do that, because each record counts. And you should make it count.
When I put out a record I don't really like to do covers as much, but I don't mind playing them. I do them mostly for my friends. When a friend's like, 'Man I really like that song,' I go 'hahaha' and I go home and I record it.
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