A Quote by Samuel Ervin Beam
I like writing in an illustrative, descriptive way. I prefer describing to rather than explaining. One, I rarely have anything to say. It's much more interesting for me to discover some meaning that you didn't know that you could create.
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I like writing in an illustrative, descriptive way. I prefer describing to rather than explaining.
If I had to choose between the two ways of approaching the deity, I should prefer the existential relational way, to the abstract philosophical way. I think it is truer, or in any case, less misleading, to say that God is an old Jew with a white beard whom I love, than to say that God is the ground of being and meaning, or to say that God is a name denoting the ultimate mystery. I prefer the bold primitive colors of the Biblical way of describing God.
I'm a huge fan of writing for people rather than writing and then trying to wedge people in. I'd love to know who the people are before I can write for them. For me, it's a much more organic way to create characters.
But I'd rather help than watch. I'd rather have a heart than a mind. I'd rather expose too much than too little. I'd rather say hello to strangers than be afraid of them. I would rather know all this about myself than have more money than I need. I'd rather have something to love than a way to impress you.
I would never accept a role that wasn't going to stretch me or challenge me in some way. I'd say Holy Smoke! probably did that more than anything I'd ever done. It took me to places I didn't actually know I could go to, and that's what I want my career to be all about.
Commitment. This is my favorite word because in some way, people who are committed are always much more interesting and much more reliable, and much more, I would say, deep than people who are not.
Writing about sex at length is a bit like describing mastication at length. It's the causes and the consequences and the meaning of it that are interesting, not the anatomical descriptions.
I think whatever you believe in affects whatever you express, whatever you create. It shapes your morality in some way. But I don't think that's something that you have to shove down people's throats. I'd rather keep it in the background, and I'd rather people came to the music in an unprejudiced way. I'm glad, in a sense, that most people don't know about me, what I do, much. I'd rather they hear the music, and then say, "I wonder what kind of person created this."
I could always imagine more interesting places to be than where I was. And more interesting people than me being there. Eventually, this led to making up stories and writing things down.
I don't wake up in the morning and say, 'Jeez, I feel great today. I think I'll write a song.' I mean, anything is more interesting to me than writing a song. It's like, 'I think I'd like to write a song... No, I guess I better go feed the cat first.' You know what I mean? It's like pulling teeth. I don't enjoy it a bit.
There is a popular superstition that "realism" asserts itself in the cataloguing of a great number of material objects, in explaining mechanical processes, the methods of operating manufactories and trades, and in minutely and unsparingly describing physical sensations. But is not realism, more than it is anything else, an attitude of mind on the part of the writer toward his material, a vague indication of the sympathy and candour with which he accepts, rather than chooses, his theme?
People wonder why there seems to be no meaning in life. Meaning does not exist a priori. There is no meaning existing in life; one has to create it. Only if you create it will you discover it. It has to be invented first. It is not lying there like a rock, it has to be created like a song. It is not a thing, it is significance that you bring through your consciousness.
More often than not, whenever gossip has been written about me, the gossip is more interesting than the reality. I know some public figures hate gossip, but personally I like it because it makes my life sound more glamorous and interesting than it really is.
I almost feel like there's some kind of connection that I'm having trouble putting in to words, in the same sense that I'm learning things from my children still. I think, just like any relationship, if I choose to become twisted and bitter it can be a source of distress or discomfort. But I think I've come to terms with the fact that I would prefer to see it as a gift. And I would prefer to see it as something that empowers me rather than something that diminishes me in some way.
Some actors are better with words than me. I prefer to play it rather than say it - and keep people thinking.
I feel like we've kind of gone through a transformation in the past year. I don't know what happened but we've somehow gelled in a way that we never have before. The live show has become much more powerful and interesting to me. I really feel like we're learning to negotiate the dynamics of it and keep it interesting. It feels like we're becoming much more comfortable and in tune with one another.
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