A Quote by Samuel Ervin Beam

It's a funny thing having a recording be part of your career. It means you can go back and revisit yourself, in a way most people don't. — © Samuel Ervin Beam
It's a funny thing having a recording be part of your career. It means you can go back and revisit yourself, in a way most people don't.
If you are recording, you are recording. I don't believe there is such a thing as a demo or a temporary vocal. The drama around even sitting in the car and singing into a tape recorder that's as big as your hand - waiting until it's very quiet, doing your thing, and then playing it back and hoping you like it - is the same basic anatomy as when you're in the recording studio, really. Sometimes it's better that way because some of the pressure is off and you can pretend it's throwaway.
It is one thing to go on stage and be funny or be in a good place in your career, but for a woman, actually facing the elements in a physical way is a very powerful thing.
I doubt that VR will really replace the quality of books. If you want to go into let's say the Prado in Madrid and you want to go into Hieronymus Bosch or whatever, you'd rather go into books and you take your time and it's sitting there all day long and you go back and revisit it and it becomes part of your physical life.
As actors, you like to think about the luxury of having choices in your career, but for the most part you kind of take whatever comes your way and hope that you carved out something that you're proud of in the end.
The thing that upsets me the most is the entitlement of people that will stand with a flag and say to some other people that they need to go back to where they came from. When, in fact, they also would need to go back to where they came from, because you need to go all the way back to the beginning.
You can revisit - the wonderful thing about my job is you can revisit your 22-year-old self or your 24-year-old self any particular night you want. The songs pick up some extra resonance, I hope, but they're still - they're there, and I can revisit that period of my life when I choose. So it's quite a nice experience.
Use your mind. Remember. Observe. You are not different from others. Most of their experiences are valid for you too. Think clearly and deeply, go into the structure of your desires and their ramifications. They are a most important part of your mental and emotional make-up and powerfully affect your actions. Remember, you cannot abandon what you do not know. To go beyond yourself, you must know yourself.
Literally falling on the ice and having to pick yourself up in front of thousands of people is not an easy thing to do. The thing that you learn is to pick yourself back up, to learn from your mistakes.
For the most part, I think of PC as meaning Plain Civil. You treat people the way you'd like to be treated yourself, and that means not using language that is demeaning.
The most important part of living life on your own terms and having it all is having faith and belief in yourself and in the intelligent power that created you.
With stand-up you meet almost constant rejection. You put yourself out there with your thoughts and your ideas, and you think they're funny, and you hope other people think they're funny too. The only way you're going to find out is when you do it and what the reaction is going to be. So if you're not prepared for that, if you're not willing to go along with that, it's going to be a rough road. But beyond stand-up, in terms of auditioning for acting roles, you don't get most of the roles you audition for - you get a precious few.
The best thing you can do to set yourself apart is just be yourself. If you're fake, you know people find out who you are later, it's like, 'Well that's not who we thought you were.' Being yourself is where you feel most comfortable and people get, you know, they feel that connection the best. That's the best way to go. You always have to be yourself.
My grandma passed in '78, and that's the year I started recording. It's also the year that my dad retired from his career. So it's funny how torches get passed on, and you feel a responsibility to be connected to the music that they did and try to carry it on in your own way.
Having a solo career is a funny thing.
The only good thing about having your back to the wall is that it makes it really easy to choose which way you're going to go.
It's always fun to improvise. What's weird is that when you're recording, you're by yourself, for the most part.
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