A Quote by Samuel Ervin Beam

Anytime you go back and listen to old material, there's always the threat of being surprised. — © Samuel Ervin Beam
Anytime you go back and listen to old material, there's always the threat of being surprised.
I would never want to do something just for the sake of being independent or for the sake of doing big films. I'm always surprised by the material I'm attracted to. And that's how I like it. I like to be surprised.
One of the questions I often get asked is, "Were you surprised that Trump won?" I always answer the same way: "I was surprised, I am surprised and I will never stop being surprised."
You definitely pick stuff up when you go back and listen to older material.
I always go back to the original material. I want a good connection as the composer and writer of the score to the director and to the source material. It's really important.
I'm constantly preparing. Material hits me; I'm always writing. I go back and listen to my shows and just prepare and put my set together. But the day of, I like to have some downtime. A nice lunch is important for me.
I listen to anything anyone gives me. I always go back to a few basic favorites. I can always listen to Django Reinhardt and hear something I haven't heard before. I like to listen to Art Tatum and Coltrane and Charlie Parker. Those are guys who never seem to run out of ideas.
I think what's cool about Slayer is no matter how old their albums are, it's the one band to me that their sound is immortal. It never sounds corny to me. You can go back and listen to some Pantera and Metallica albums, and you're like, 'OK, great music.' But Slayer, you go back, and they always sound fresh and hard as hell.
I always try to go back and check my old stuff. It's like watching the tapes of the game. You want to go back and go as hard as before.
Any time I'm trying to find that groove on a big tempo song, I go back and listen to some Aerosmith records. 'Love in an Elevator,' 'Rag Doll,' all that stuff was really great music. It's something that I still dig and go back and listen to.
When I'm done with something, I'm done. I don't go back and listen to and pine for my old albums, or the Lollapalooza days, or 'Psalm 69' selling millions of records. Maybe I'm really just getting old and mellow.
All my musical foundations go back to the age of 3. My family tell me that I used to listen to the old crystal set, then go to the piano and pick out the tune that I just heard.
I also have a role model back in New Zealand, a woman called Miranda Harcourt. She's an actress and a writer. Her willingness to stay open to material is really great. I read a lot, and I try to watch and listen to diverse material.
Still, we view that old material very much like we view the new material so if this gives us a chance to go out and promote it then, yes we will go out and do that.
When you go into a movie and you're surprised by it - these days with brand recognition being such an important thing and essentially trailers, the way trailers have evolved encouraging people not to see the film unless they've already seen the film which is kind of the paradox of marketing these days anytime that you enjoy genuine sense of wonder and surprise in the movies it's priceless.
Anytime I listen to my gut and I don't do something, or I do, it always tends to work out in my favor.
I've always played all the old songs. I'd go and see Peter Gabriel or Madonna and be surprised if they didn't play all the hits. People don't want to come and hear the B-sides.
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