A Quote by Samuel Ervin Beam

I like to keep working and keep changing. It's a hopeful, optimistic thing to think and sit about what you could do next. Maybe it's blind optimism. — © Samuel Ervin Beam
I like to keep working and keep changing. It's a hopeful, optimistic thing to think and sit about what you could do next. Maybe it's blind optimism.
I'm not talking about blind optimism, the kind of hope that just ignores the enormity of the tasks ahead or the road blocks that stand in our path. I'm not talking about the wishful idealism that allows us to just sit on the sidelines or shirk from a fight. I have always believed that hope is that stubborn thing inside us that insists, despite all the evidence to the contrary, that something better awaits us so long as we have the courage to keep reaching, to keep working, to keep fighting.
And so then, keep on growing, My son. Keep on becoming. And keep on deciding what you want to become in the next highest version of your Self. Keep on working toward that. Keep on! Keep on! This is God Work we're up to, you and I. So keep on!
Hope is a state of mind independent of the state of the world. If your heart's full of hope, you can be persistent when you can't be optimistic. You can keep the faith despite the evidence, knowing that only in so doing has the evidence any chance of changing. So while I'm not optimistic, I'm always very hopeful.
If you're in music, you're in music, and if you're in music you just want to keep making records and playing. That's what it's about, isn't it? At least, that's what I always thought it was about, anyway. I don't think I could bear years and years off. Perhaps in me older, older age, maybe I will, for physical reasons. But to me you've always got to keep proving yourself. I never want to just sit on me laurels. You have to keep forging, to prove yourself to yourself. I always think, every time I start a record, this could be the best thing I've ever done.
If our history can challenge the next wave of musicians to keep moving and changing, to keep spiritually hungry and horny, that's what it's all about.
Just because you've had one or two of those games, you can't really go back to the next practice and change everything. That's the most important thing in those situations that you don't think too much, you don't try to change too much because then you're going to be in deep trouble, that's what I think. It's all about keep working on what's been successful for you and keep believing what you're doing is the right thing.
I just feel like I can live on. I hope I can reach 100. I think today if you just keep doing, keep working, that - maybe that's possible.
Working inspires inspiration. Keep working. If you succeed, keep working. If you fail, keep working. If you are interested, keep working. If you are bored, keep working.
I don't think there's any single finished point for a work. It's done when something's happening with the work that feels like a balanced, coherent disharmony. That's one way to say it. And where if I keep working on it, to discover and struggle with new problems, I'll obliterate the ones I was working on. I could keep working on it, but it'd become something different. And I value what's here, at the moment.
Hope and optimism have defined my political career, and I continue to be hopeful and optimistic about Canada. Young people have been a great source of inspiration for me.
I might not be able to use the word "hope," but I could certainly use the word "optimism." I'm very optimistic. I don't feel that it helps to be pessimistic. At some point in my life I made a conscious decision that I would try to be optimistic - not blind to anything at all - but to always hear the way that had the best chance for happiness.
Truth was funny, because it was an insistent thing, maybe as powerful and insistent as some force of nature, the push of water or wind. You could keep it out only so long, but it had its own will and its own needs, and maybe you could keep it at bay with lies, but not for long, not for always.
I like the idea of experimenting with different kinds of formats, and I think you've got to keep on your toes and keep changing.
The great fun of doing new plays is that people have no idea what's going to happen next. That goes quite soon, as people start talking about it, and the only way you can keep hold of that is genuinely to keep changing it.
I look at the great poets of the Soviet Union, like Anna Akhmatova, who endured far worse then anything we've seen or hopefully that we will ever see. If they could keep writing and keep a voice alive, keep people hopeful through their poetry, then I would be ashamed to stop and to give in. It would be really self-indulgent, unacceptable, and inexcusable to walk away from it.
I’ve always said to my agents and stuff, like, it’s going to be 10 years before people forget about Twilight, And that’s totally understandable. Normally people keep working and working until their big break. You just keep trying to make the best of your decisions. Like I try to think how I used to think before all the Twilight movies.
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