A Quote by Samuel Ervin Beam
Oh yeah, I love Peter Gabriel's stuff. I mean, I even have the Genesis records. He's incredible.
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I listened to all those blues records. They were great - Clapton, John Mayall. Then eventually I heard Genesis with Peter Gabriel, and I didn't really understand the difference then, but something struck me about the inversions and the diminished chords... they weren't as bluesy, and I loved it. I found out, that was very baroque-influenced.
In Genesis we saw ourselves as song-writers. After Peter Gabriel left I was the first to say: 'It's OK - we can just do instrumentals.'
I could definitely rock out to Kraftwerk's "Tour De France," Tubeway Army, or Gary Numan. All of that stuff has an infectious beat, but with "Oh Yeah," I can't even identify what's going on. It sounds like typewriter keys, a couple of synth notes and then this really deep "Oh yeah," which I always picture as Andre The Giant on vocals.
I grew up listening to a lot of very smart pop records by artists like Kate Bush, Talk Talk, Peter Gabriel, Prince, Depeche Mode, Tears for Fears, The The.
Will's Father's gaze went immediately to Gabriel, and then to Cecily, his eyes narrowing. "And who is this gentlemen?" Will's grin widened. "Oh him," he said. "This is Cecliy's friend, Mr. Gabriel Lightworm." Gabriel, half in the act of stretching his hand to greet Mr. Herondale, froze in horror. "Lightwood," he sputtered. "Gabriel Lightwood.
I used to love Talking Heads, Peter Gabriel, and the Human League.
For a long time, I thought when you do a box set, you're giving up; you're saying, 'OK, I don't have anything left.' But now I've listened to some of the old stuff I haven't heard in 20 to 40 years with fresh ears. It's like, 'Oh yeah, I can see where people might want to to hear some of this stuff that didn't make it onto the records.'
When I talked to him earlier, he said he had to work tonight,” Peter explained, “but that we should go ahead and draw for him.” “Draw?” I asked uneasily. “Oh Lord. Tell me it’s not Pictionary night too.” Peter sighed wearily. “Draw for secret Santas. Do you even read the e-mails I send?” “Secret Santas? Seems like we just did that,” I said. “Yeah, a year ago,” said Peter. “Just like we do very Christmas.
So it's not really whether you talk about politics, but how well were you able to do it. Peter Gabriel and Sting get away with it...U2...the examples are there, of people being able to carry these subjects in the music, and the audience is absolutely able to embrace subjects that aren't just the stuff they already know about. And they're actually able to learn stuff.
I love listening to old records. Stuff from the '70s, even disco and funk records and a lot of early rock albums - what's great about those recordings is that you can actually hear the true tones of the drums themselves.
Peter: Where are you two going? Tris: Why aren't you with your attack group eating dinner? Peter: I don't have one. I'm injured. Christina: Yeah right, you are! Peter: Well, I don't want to go to battle with a bunch of factionless. So I'm going to stay here. Christina: Like a coward. Let everyone else clean up the mess for you. Peter: Yep! Have fun dying.
I love Peter Gabriel, and I've come so close to working with him a few times. We were on a movie soundtrack together, but we didn't actually write together.
I think all the fight stuff. I'm cut out for that. I used to wrestle in high school so I really love it, yeah. I love all the fighting and martial arts. Hey, why am I not up there? Oh, it's just a rehearsal. Keep going.
My kids love vinyl, I had to teach them how to put the needle on the records. Now they're worried about scratching the records, but it's incredible!
I'm looking forward to getting older. I look at people like Peter Gabriel and Sting and even Tom Petty, Don Henley. People that didn't lose it. I'm hopefully going to join that club.
Even if a story has nothing to do with my life, if I can recognise something of myself in the character and think, 'Oh yeah, that's what I'd do...' Yeah, that's what I look for.
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