A Quote by Samuel Ervin Beam
I'm very flattered the press wants to write about me.
Related Quotes
I've been blessed from the very beginning with the large gay audience, and I'm flattered. They always have the best taste anyways and are at the forefront of fashion, music, and style. So I'm really happy about that and very flattered. It's a good following to have because it means you're doing something right.
I don't keep it secret that I live with my partner Gio. I'm very proud of my gayness. But there is lots I wouldn't want the press to write about me... it is a matter of regret that being gay is the most interesting thing about me.
I know that some of the folks in the press are uptight about this [moving the press corps out of the West Wing ], and I understand. What we're - the only thing that's been discussed is whether or not the initial press conferences are going to be in that small press - and for the people listening to this that don't know this, that the press room that people see on TV is very, very tiny. Forty-nine people fit in that press room.
Everyone wants to be loved, generally. If you released a record and nobody said anything, if you didn't get any feedback from people you don't know, i.e. the press, you'd be sort of upset. To me, any press is good press.
Write your script. When you see things you don't want, don't think about them, write about them, talk about them, push against them, or join groups that focus on the don't wants... remove your attention from don't wants.. and place them on do wants.
I asked him, How could we have a press column if we can't write about other work done in the press?
I think it's a greater risk not to write about 9\11. If you're in my position - a New Yorker who felt the event very deeply and a writer who wants to write about things he feels deeply about - I think it's risky to avoid what's right in front of you.
I was so flattered that someone wanted me to write a book, I said I would. It was published in 1969.
It's just like I get this identity crisis: my body doesn't want to write, my mind doesn't want to write. Nothing about me wants to write, but I force myself to sit there and try. Nothing happens.
I feel as though I never had choice not to be a writer. I feel in my heart of hearts that writing chose me and this is what I must do. I have no choice but to write, and to write, and to write, because my very life depends on it. And to assume that, of course, everyone in the entire universe wants to read what I've written.
There is a terrific disadvantage in not having the abrasive quality of the press applied to you daily. Even though we never like it, and even though we wish they didn't write it, and even though we disapprove, there isn't any doubt that we could not do the job at all in a free society without a very, very active press.
It takes me a very, very long time to write a story, to write a piece of fiction, whatever you call the fiction that I write. I just go about it blindly, feeling my way towards what it has to be.
My idea was always to start with a small press and then move up to a national press. I had those goals for my career from the time I was a very young woman. I wanted to win a local award, then I wanted a state or national award. Small press, big press. Some women fantasize about their weddings, their husbands, and children. I fantasized about what I wanted to accomplish with my books.
Forget about Republican or Democrat - what about the kid in the middle of the country who wants to play the drums, the kid who wants to learn how to write a book, or the kid who wants to write a screenplay? We need to give them access to the arts. It's not fair that if you live in a different part of the country, you don't have the chance to learn. And it's not fair that if you don't have as much money, you don't have the chance to learn.
I think it's very difficult to make any single, generalized statements about the press, of course the press is such varied character and quality and to the different media and so on, so a generalization is very difficult.
Stories about mental aberration and oddity only make sense in context. Just how do people live with someone who is peculiar, gifted, strange or alien? It's odd because there's a little part of me that wants to write about exotic, strange bizarre subjects. Instead, I've rather reluctantly realised that what I write about is families.
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