A Quote by Samuel Ervin Beam
I don't really make particularly abrasive music, but at the same time I wouldn't change something to make people like it.
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I like to make the music that I really love. You're supposed to make your favorite music that no one else played, and I'd like to just keep it at that and not really change it at all.
Hip-hop music in general kind of revolves around singles, and I appreciate that mindset, but at the same time, I wanted to go beyond that. It's not like I was intending to make a classic record - I mean, I'm always trying to make timeless music, but I really just tried to reference the music that on a road trip you can put in and not have to skip a track.
My advice to young people wanting to make music and to be in this industry is to really spend your time making music. Make so much music you have no friends. Make music. Figure out what it is you love, and... because if you're making cool art, then everything else will fall into line.
What I'm trying to do is make music that people relate to, that talks about ideas that are personal but also make that connection to trying to make revolutionary change, and I don't need to change my music to get to a certain audience.
It's interesting for me because in my work, a lot of times, I like to scrutinize the clothes and think what's going to make them look dated, and I do the same with vintage. In vintage, you want something unique and different, but at the same time, something that doesn't make you look like you dress like a grandpa.
I was in school for four years writing music to please my teachers. That was not music I liked. And when I make music that isn't for something I want to make, and it's to please other people, it's - the outcome is really bad.
You discover over time that music can be overwhelming. Unless the musicians involved understand this they can lose audiences. Spontaneity and improvisation are salient features but I also strive to make music that is peaceful. I want to make music that aids world peace in the same way that the people who shaped my development did.
Doin' music, musicians and artists, we have the advantage of doin' something that is our passion. At the same time it's fun, and it's like a dream to other people, and live off it, feed yourself off of it. 'Cause it's hard, you know what I"m sayin'? You really gotta grind and you really gotta love and enjoy what you do, if you're gonna make it. 'Cause if you don't believe in yourself, if you don't got people believin' in you, people aren't gonna buy it.
The best way to make change is to know how something works. If you're going to go build something or change whatever it is, if you don't know how it works and you're trying to go make a change in it, the first thing you're doing is you're spending time figuring out how it works. The same thing happens in organizations.
Music has always carried me through times of loneliness. So when I make music, I like it to make people who listen to it feel like they have a friend who reveals something personal to them, rather than trying to be like a god up on a pedestal
I really wanted to make the worst thing: the thing that even people who liked bad, terrible music wouldn't like - the stuff that people would ignore, always. Something really, really stupid. Something that is destined for failure.
You can make change or it can make YOU. Change is to keep us on our toes. Change is to make us look more closely. What doesn't change are the arms you use to hug with. Those stay the same.
I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.
It's satisfying and gratifying to make your own music, but I personally don't get the same enjoyment out of the music that I make as I do from somebody else's music that I like.
I am trying to change hip-hop music because I do feel there are places people can go with production and the structure of an album that they haven't gone yet. But, like I said, I don't have any delusions of grandeur. I just want to make music that doesn't make me bored.
I would say that I don't make music quickly; like, my process has been very slow, and my bar is very high, and I don't really rush to make music just to get something out there.
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