A Quote by Samuel Ervin Beam

The Beatles showed with 'Sgt. Pepper's' that you can make an album out of anything, just make it seem like it's connected. — © Samuel Ervin Beam
The Beatles showed with 'Sgt. Pepper's' that you can make an album out of anything, just make it seem like it's connected.
The Beatles production is often so 'perfect' that it sounds computerized. 'Sgt. Pepper' really does sound like it took four months to make.
I knew Paul when he was in the Beatles. We did the second Beatles British tour with the Moody Blues. And we became friends. I went to a couple of the sessions for the 'Sgt. Pepper' album, we went to parties together, we went to see Jimi Hendrix together.
We know what we are doing by now.We seem to make an album every 18 months or so and I think every band should do that. We're not writing "Sgt. Pepper" every time; we are writing straight ahead rock n' roll.
My album is better than 'Sgt. Pepper.'
My sister and I shared a bedroom our entire lives and I believe she discovered the Beatles when she was about 11 and I'm four years younger. So from the age of 7 until 17 we had nothing but Beatles paraphernalia in our room, even those little stuffed Beatles that went on stands that are dressed as the Sgt. Pepper band.
We all like all of that, from 'Rubber Soul' to 'The White Album' and all of that, but even before, we were into that theatrical element of things. We didn't want to do a 'Sgt. Pepper's' thing.
I love the 'Black Album' because I think it was the beginning of something, primarily. I'd met Metallica, and I'd heard Metallica before that, but when I heard the 'Black Album,' I actually had a response rather like I did with 'Sgt. Pepper.'
Just coming from a musical family, I was always surrounded by it. On the car rides to school, my mom loved playing A Tribe Called Quest and the Beatles' 'Sgt. Pepper's Lonely Hearts Club Band,' and then my dad was listening to a lot of Bill Withers and Stevie Wonder.
I think that debut albums are supposed to sound sort of raw. You don't want to record 'Sgt. Pepper's' as your first album, because where do you go from there?
I like What Goes Around Comes Around for old concert tees. Oh man, I got this 'Sgt. Pepper' cartoon Beatles shirt there; it was, like, $300. I didn't even know how much it cost - I thought it was gonna be, like, $80 at most - till I got to the register and was like, 'Oh mah gawd!' Good Lord. But it's classic vintage rock, you know?
It just annoyed me that people got so into the Beatles. "Beatles, Beatles, Beatles." It's not that I don't like talking about them. I've never stopped talking about them. It's "Beatles this, Beatles that, Beatles, Beatles, Beatles, Beatles." Then in the end, it's like "Oh, sod off with the Beatles," you know?
There's a place in England called Petticoat Lane, and... they always used to get the heavy albums, like, a week before. So I went down there and got it, and I went back home. I didn't come out of my room for about three days. I just played it nonstop... 'Sgt. Pepper's' was the best thing I'd ever heard in my life.
I don't think if you set out to make an album to get a bunch of Grammy nominations... you just have to set out to make an album you'll really love.
There are... certainly more innovations on 'Revolver'... but the truth of the matter is 'Sgt. Pepper' has something that was just completely different and unique at that moment.
Watch out for music. It should come with a health warning. It can be dangerous. It can make you feel so alive, so connected to the people around you, and connected to what you really are inside. And it can make you think that the world should, and could, be a much better place. And just occasionally, it can make you very, very happy.
I always wanted to make an album, but I knew that I didn't want it to be a musical theater album. It's not that I don't love them - I own every musical theater album ever made - but it just didn't seem right for me.
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