A Quote by Samuel Ervin Beam
I like having a big band because it gives you more options. They can always not play and I can do the quiet stuff, but when we want to do the big arrangements, we can.
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I was in bands as a singer-guitarist-songwriter until 1980-81. So, there's a bunch of stuff. A lot of the stuff is hard to come by-stuff by the Special Interest Group and the Zobo Funn Band. The Zobo Funn Band was a big Northeast cult band. We had about a billion skirmishes with the big rock industry.
You don't accidentally turn into a big band. Not even Nirvana accidentally turned into a big band. They toured - they wanted to become a big band. They didn't necessarily want to become that big of a band, but they still wanted to make a really good record and wanted to come out and tour.
Man, it's hard to beat having gotten to play Superman. But where do you go from there? Aren't careers supposed to culminate in a role like that? And because I'm a big fat geek, as long as there's stuff I'm excited about - and isn't that really the definition of geek? - there'll always be roles I'd love to play.
It's not always possible to play a song exactly as it is on the album. That's also something that I really don't want to do because I like to have versions that also adapt to the band, so that is always a big challenge to see how we can transform those songs so it feels natural.
A big corporation is more or less blamed for being big; it is only big because it gives service. If it doesn’t give service, it gets small faster than it grew big.
I know it is difficult to play in a big club like Manchester United as a No. 10 because you know how many goals you have to score to play there. So I thought I had to add something to my game. I had to give more options to the manager.
Without doubt, the foremost band for decades has been the One O'Clock Lab Band at the University of North Texas. Through its many incarnations and under various leaders, they have demonstrated the highest qualities of musicianship imaginable, plus a willingness to balance their big band tradition with creative exploration. Astounding ensemble work, insightful interpretations of the arrangements, imaginative writing, and above all, a loving attention to musicality . . . these people play beautifully.
We don't necessarily want to do a biopic. Mostly because it's like, 'Big deal. Band gets together and gets big. Then the excesses come and they fall apart.'
I feel like I have big thighs. My brother was always like, 'Yeah, I want big thighs! Big thighs are awesome!' And I'm like, 'Yeah, for a man!' But I've trained since I was 6 years old to play soccer, and this is just the type of body I have.
We are always making more and more stuff in the world. You know; big buildings, big planes, big boats and that. Will we ever get to a point where all this is too heavy for the world to handle?
Having to act like an adult because I was directing a big movie but also feeling like a child because we had reindeer and big cameras and they had fake snow. I just wanted to go play in the snow.
It's not enough to play the old songs; that feels like being your own covers band or something. It's a big release to do new stuff.
The energy that a crowd gives you is so amazing and so fun because when the crowd's having fun, it makes us even more excited, and it feels like we're all having fun together. It's like a big party.
Voiceover work, I really enjoy. I don't get to do too much of it, but I've been doing more lately, and I like it because you get to do a bunch of options, one after the other, and you can go as big as you want or as small as you want, and you don't think about it sometimes.
I think, like all big things, you don't know they're going to be a big thing when you start. You just kind of, like, play because it's fun, and it's interesting, and then it turns out to be way more important than you expected.
When you play against Roger, it's always special. First, because you play in a big area, in a big stadium anyway. And every time the crowd is for him, so it's quite a good sensation.
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