A Quote by Samuel Fuller

Mark Twain didn't psychoanalyze Huck Finn or Tom Sawyer. Dickens didn't put Oliver Twist on the couch because he was hungry! Good copy comes out of people, Johnny, not out of a lot of explanatory medical terms.
Titian and Rembrandt, Monet and Rodin, Frank Lloyd Wright and Le Corbusier, Mark Twain and Henry James, Robert Frost and Elizabeth Bishop, to name a few. Twain wrote 'Tom Sawyer' at 41 and bettered it with 'Huckleberry Finn' at 50; Wright completed Fallingwater at 72 and worked on the Guggenheim Museum until his death at 91.
Right from the start, I loved the works of Mark Twain. Every time I read about Tom Sawyer, I'd go out and do something low-level naughty, just like him.
If Huck Finn or Tom Sawyer were alive today, we’d say they had ADD or a conduct disorder. They [boys] are who they are, and we need to love them for who they are. Let’s not try to rewire them.
My mum was never too keen on TV, so we kids all went to the library and got books out. Right from the start, I loved the works of Mark Twain. Every time I read about Tom Sawyer, I'd go out and do something low-level naughty, just like him.
I wrote 'Tom Sawyer' and 'Huck Finn' for adults exclusively, and it always distressed me when I find that boys and girls have been allowed access to them. The mind that becomes soiled in youth can never again be washed clean.
I first read 'Tom Sawyer' when I was in 8th grade, 13 years old. I realised since that Mark Twain just bottled what it felt like to be a child.
You don't know about me, without you have read a book by the name of 'The Adventures of Tom Sawyer,' but that ain't no matter. That book was made by a Mr. Mark Twain, and he told the truth, mainly.
Unlike television, reading does not swallow the senses or dictate thought. Reading stimulates the ecology of the imagination. Can you remember the wonder you felt when first reading The Jungle Book or Tom Sawyer or Huckleberry Finn? Kipling’s world within a world; Twain’s slow river, the feel of freedom and sand on the secret island, and in the depths of the cave?
The critique of social inequality, which is very much a part of my story, came about naturally from my recollection of Huck and Tom and the controversy surrounding [Mark] Twain's use of them and from my own passionate interest in civil rights, animal rights, and the right of Earth to survive humankind's reprehensible neglect of its stewardship.
Samuel Clemens isn't Mark Twain. Mark Twain is Mark Twain. He doesn't become the thing until he creates himself.
If you play Mark Twain and he's not funny, you are definitely not playing Mark Twain. That was the biggest challenge, in some ways. Writing and performing jokes that can come out of that brilliant delivery system he constructed: the friendly, avuncular truth-teller.
I read Norman Lock’s The Boy in His Winter with delight and amazement. Styled in the vernacular of a rapidly changing America, it stays true to the themes of Mark Twain’s original: class relations, race and slavery, childhood innocence, moral hypocrisy—and, of course, the stark beauty and unforgiving nature of America’s greatest river. I finished this absolutely elegant narrative feeling that Huck Finn has never been more alive.
As soon as Oliver Twist is serialized, people who would never dream of reading [Charles] Dickens, if they hadn't seen him on their box, buy the paperback.
All modern American literature comes from one book by Mark Twain called Huckleberry Finn.
I liked Huckleberry Finn and Tom Sawyer, and that is the kind of character that I would like to have played. That would have been more in tune with who I really was.
Like every child growing up in America, I read 'The Adventures of Tom Sawyer' and 'Huckleberry Finn.' I liked them well enough, but I didn't love them.
This site uses cookies to ensure you get the best experience. More info...
Got it!