A Quote by Samuel Goldwyn

A wide screen just makes a bad film twice as bad. — © Samuel Goldwyn
A wide screen just makes a bad film twice as bad.
When the news is slow, or when there's just so many other responsibilities bearing down on me that I don't have the time to do it right, that's when it gets frustrating. As an artist, you just don't wanna put bad work out. So when you have to do it seven days a week, you're just gonna have some bad days and bad weeks and bad months and bad years.
People think bigger movies are bad, and that's just not true - there's bad big films, and there's bad little ones. The bad big ones have to make their money back, so they'll push them down your throat, but the little ones just disappear if they're bad.
Good cinema is good cinema. It makes you feel like you need to work. Just yesterday I saw a good film, but even if I'd seen a bad one, I'd feel, "Oh my god, what a bad job, I can do better."
There are some forms of religion that are bad, just as there's bad cooking or bad art or bad sex, you have bad religion too.
When I was drinking I was thinking I was having a good time but it came back twice as bad, the depression. It was just a vicious circle - drinking, not caring about myself - and it gave me a bad low.
We all are scared of bad things... So when you are watching a film, you see your fears on the screen.
For me, the sign of a bad player is someone who makes the same mistake twice.
Often, the idea that there can be a wide range of translations of one text doesn't occur to people - or that a translation could be bad, very bad, and unfaithful to the original.
The Nice Guys movie was the first time in my career where what I wrote on the pages is on the screen. I'm more proud of it than anything else I've done. It is effectively what I wanted. If this movie's bad, it's my fault. It's not somebody else who changed or censored or edited it. This is the stuff I wanted, and that's what's on the screen, and if you don't like it, it's my bad.
When you start out as an actor, you read a script thinking of it at its best. But that's not usually the case in general, and usually what you have to do is you have to read a script and think of it at its worst. You read it going, "OK, how bad could this be?" first and foremost. You cannot make a good film out of a bad script. You can make a bad film out of a good script, but you can't make a good film out of a bad script.
If you ever watch me at theatre rehearsals, you will know what a bad actress I am. I am bad... bad... bad... and then, by opening night, it all just falls into place.
What makes 'The Wire' a beautiful story is how true to life it is. In other shows, you have a good guy and a bad guy. In 'The Wire,' bad guys are trying to be good, good guys are doing bad. You have real life. The people who do bad get bad things done to them.
There are no bad boys. There is only bad environment, bad training, bad example, bad thinking.
I'd say that about 82 percent of what I write is bad, but don't go by me; I'm as bad a judge as I am a writer. Look, if it were all good, you'd be paying twice as much for this book.
Somebody who eats twice as much factory-farmed products as he or she needs to is clearly doing twice as much damage to the planet. From a utilitarian point of view, that's twice as bad.
Does film music really matter to the average moviegoer? A great score, after all, can't save a bad film, and a bad score - so it's said - can't sink a good one.
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