A Quote by Samuel Johnson

A translator is to be like his author; it is not his business to excel him. — © Samuel Johnson
A translator is to be like his author; it is not his business to excel him.
The translator of prose is the slave of the author, and the translator of poetry is his rival.
To ask an author who hopes to be a serious writer if his work is autobiographical is like asking a spider where he buys his thread. The spider gets his thread right out of his own guts, and that is where the author gets his writing.
There are three infallible ways of pleasing an author, and the three form a rising scale of compliment: 1, to tell him you have read one of his books; 2, to tell him you have read all of his books; 3, to ask him to let you read the manuscript of his forthcoming book. No. 1 admits you to his respect; No. 2 admits you to his admiration; No. 3 carries you clear into his heart.
I believe that there is much less difference between the author and his works than is currently supposed; it is usually in the physical appearance of the writer,--his manners, his mien, his exterior,--that he falls short of the ideal a reasonable man forms of him--rarely in his mind.
While an author is yet living, we estimate his powers by his worst performance; and when he is dead, we rate him by his best.
The translator ... Peculiar outcast, ghost in the world of literature, recreating in another form something already created, creating and not creating, writing words that are his own and not his own, writing a work not original to him, composing with utmost pains and without recognition of his pains or the fact that the composition really is his own.
To contest an author's right to create a poetic or realistic work is to want to force him to change his temperament, challenge his originality, refuse to allow him to use the eye and the intelligence nature has given him.
In a sense, the religious person must have no real views of his own and it is presumptuous of him, in fact, to have any. In regard to sex-love affairs, to marriage and family relations, to business, to politics, and to virtually everything else that is important in his life, he must try to discover what his god and his clergy would like him to do; and he must primarily do their bidding.
Each had his own business to think of. Each had his past shut in him like the leaves of a book known to him by heart; and his friends could only read the title.
There's a story about when President Lyndon Johnson visited NASA and as he was walking the halls he came across a janitor who was cleaning up a storm, like the Energizer bunny with a mop in his hand. The president walked over to the janitor and told him he was the best janitor he has ever seen and the janitor replied, "Sir, I'm not just a janitor, I helped put a man on the moon." See, even though he was cleaning floors he had a bigger purpose and vision for his life. This is what kept him going and helped him excel in his job.
If I was a white rapper, the bar for me would be Eminem. Of course his white skin helped him excel to heights that a lot of other rappers couldn't, but he still was talented. People gravitated towards him because of his skills. He stood the test of time.
There is no obligation for the author of a film to believe in, or to sympathise with, the moral behaviour of his characters. Nor is he necessarily to be accredited with the same opinions as his characters. Nor is it necessary or obligatory for him to believe in the tenet of his construction - all of which is a disclaimer to the notion that the author of Drowning by Numbers believes that all men are weak, enfeebled, loutish, boorish and generally inadequate and incompetent as partners for women. But it's a thought.
The artist's business is to take sorrow when it comes. The depth and capacity of his reception is the measure of his art; and when he turns his back on his own suffering, he denies the very laws of his being and closes the door on everything that can ever make him great.
When a character is born, he acquires at once such an independence, even of his own author, that he can be imagined by everybody even in many other situations where the author never dreamed of placing him; and so he acquires for himself a meaning which the author never thought of giving him.
I think Donald Trump is very uninterested in his business. In the past he would be talking up his business, but since the election, I've seen almost a laser-like focus on his job as president. What gets him lit up the most in any conversation is bringing jobs into these midwestern states that have suffered because of technology and trade policies.
A character is never the author who created him. It is quite likely, however, that an author may be all his characters simultaneously.
This site uses cookies to ensure you get the best experience. More info...
Got it!