A Quote by Samuel Johnson
There is scarcely any writer who has not celebrated the happiness of rural privacy, and delighted himself and his reader with the melody of birds, the whisper of groves, and the murmur of rivulets.
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Every reader, as he reads, is actually the reader of himself. The writer's work is only a kind of optical instrument he provides the reader so he can discern what he might never have seen in himself without this book. The reader's recognition in himself of what the book says is the proof of the book's truth.
When a poet mentions the spring, we know that the zephyrs are about to whisper, that the groves are to recover their verdure, the linnets to warble forth their notes of love, and the flocks and herds to frisk over vales painted with flowers: yet, who is there so insensible of the beauties of nature, so little delighted with the renovation of the world, as not to feel his heart bound at the mention of the spring?
The analytical writer observes the reader as he is; accordingly, he makes his calculation, sets his machine to make the appropriate effect on him. The synthetic writer constructs and creates his own reader; he does not imagine him as resting and dead, but lively and advancing toward him. He makes that which he had invented gradually take shape before the reader's eyes, or he tempts him to do the inventing for himself. He does not want to make a particular effect on him, but rather enters into a solemn relationship of innermost symphilosophy or sympoetry.
It is easier for the reader to judge, by a thousand times, than for the writer to invent. The writer must summon his Idea out of nowhere, and his characters out of nothing, and catch words as they fly, and nail them to the page. The reader has something to go by and somewhere to start from, given to him freely and with great generosity by the writer. And still the reader feels free to find fault.
Every reader finds himself. The writer's work is merely a kind of optical instrument that makes it possible for the reader to discern what, without this book, he would perhaps never have seen in himself.
The love between a writer and a reader is never celebrated.
It always seems to me better to slough off the answer to a question that I consider to be a terrible invasion of privacy - the kind of privacy that a writer must keep for himself.
Each reader reads only what is already within himself. The book is only a sort of optical instrument which the writer offers to the reader to enable the latter to discover in himself what he would not have found but for the aid of the book.
Quotation... A writer expresses himself in words that have been used before because they give his meaning better than he can give it himself, or because they are beautiful or witty, or because he expects them to touch a cord of association in his reader, or because he wishes to show that he is learned and well read. Quotations due to the last motive are invariably ill-advised; the discerning reader detects it and is contemptuous; the undiscerning is perhaps impressed, but even then is at the same time repelled, pretentious quotations being the surest road to tedium.
Philosophy had instructed Julian to compare the advantages of action and retirement; but the elevation of his birth and the accidents of his life never allowed him the freedom of choice. He might perhaps sincerely have preferred the groves of the Academy and the society of Athens; but he was constrained, at first by the will, and afterwards by the injustice of Constantius, to expose his person and fame to the dangers of Imperial greatness; and to make himself accountable to the world and to posterity for the happiness of millions.
Any writer who gives a reader a pleasurable experience is doing every other writer a favor because it will make the reader want to read other books. I am all for it.
No man, deep down in the privacy of his heart, has any considerable respect for himself.
A writer is, after all, only half his book. The other half is the reader and from the reader the writer learns.
Could he with reason murmur at his case, Himself sole author of his own disgrace?
The fox when it sees a flock of herons or magpies or birds of that kind, suddenly flings himself on the ground with his mouth open to look as he were dead; and these birds want to peck at his tongue, and he bites off their heads.
In that way, any world you create will become real. The reader makes it so. The reader becomes implicated in the creation of the world, complicit with the writer. It's the best sort of bond with audience that a writer can hope for, but it demands a great deal of trust on both sides.
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